Documentary

A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

Satoshi Kon: The Illusionist (French: Satoshi Kon, l’illusionniste) is a 2021 documentary film directed by Pascal-Alex Vincent. The film celebrates the legacy of Japanese anime director Satoshi Kon. The production features interviews with animators, voice actors, producers, directors, and writers who worked with Kon during his career.Read More »

The Brighton Beach—Coney Island boardwalk is a long, winding, ocean front walkway adjacent to the Atlantic Ocean. Photographed over a three year period, the landscape rendered reflects the seasonal changes, daily activities, and the filmmaker’s projected future.Read More »

Imdb:
Keepers of the Magic celebrates the breathtaking cinematic images that have transfixed audiences around the world. This ground-breaking documentary explores our fascination with moving images and provides insight into how cinema’s most iconic moments came to be. Most of all, it honours the great masters of cinematography, unsung heroes whose vision and talent was always right before our eyes.Read More »

In “What Is Not Seen”, Paulo Abreu subtly repositions the most characteristic tropes of the travel narrative: in lieu of a dialectic of self-recognition mediated by the discovery of others, we find a game of interruptions, in which the constant theme of the mechanisms of vision – within a markedly essayistic device between landscapes, displacements, and voice over – seemingly replaces the utopia of a possible encounter.Read More »

About the movie:
In 1952 Andrzej Munk made PAMIETNIKI CHLOPOW [PEASANT DIARIES], a film that was meant, to put it briefly, to show what people were told to believe about the wonderful lives that Polish peasants led in post-war Poland. In his book ” Moja filmoteka. Kino polskie” [My Film Archive. Polish Cinema] Aleksander Jackiewicz wrote that though he found the film to lack a hint of a shadow on the picture of those times to make it truly authentic, as clearly People’s Poland could not include peasants who were not successful, even so one could find in it “a tiny bit of authenticity that was absent from the works of other directors”.Read More »

Quote:
At the Eisenhüttenkombinat Ost an der Oder, a new blast furnace is being moved to replace a burnt-out one. 2000 tons have to be moved 18 meters: Three times we hear it in the commentary. Master Klaus is now in command. His orders are to be obeyed at all costs. Men at work: tense faces, examining hands, the sound of screeching winds and steel cables stretched to breaking point. Everything is going well, and it is a new best performance: The downtime of the plant has been reduced from 80 to 40 days, the commentary says.Read More »

Quote:
BBC Four Website
One: Living The Dream
How Warhol both glorified and critiqued American culture on his journey from childhood poverty in Pittsburgh to the A-list of New York society.

Two: The American Nightmare
Charting Andy Warhol’s response to major events in the Sixties and how he faced his own nightmare when he was shot by an associate.

Three: Living The Dream
The final episode sees a much more cautious Warhol: a man obsessed with money and security as he reflects on the upper echelons of American society, drag queens and racism.Read More »

The film tracks Fresnel lenses from their site of production to their exhibition in a museum of lighthouses and navigational devices. It also examines the diverse social contexts in which optics are implicated, contrasting the system of triangular trade that followed the first European arrivals in the ‘New World’ with the political potential seen in Op art in post-revolutionary Cuba. Incorporating 16mm celluloid images, digital desktop captures and 3D CGI, the film also maps a technological trajectory: from historical methods of optical navigation to new algorithms of locating, from singular projection to multi-perspectival satellitic visions. Registering these technical advances progressively through the film’s materials and means of production, Sunstone creates “a cinema of affect, a cinema of experience – an Op- Film.”Read More »

This documentary follows the stories of five young girls who arrive at a refuge in Iran’s capital city Tehran, having run away from abusive or neglectful families.Read More »