David Lynch

Quote:
Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.Read More »

Synopsis:
An imaginative lad of about ten has a couple of problems: he wets his bed, and his parents are abusive and disgusting. In a spare room, he finds a bag of seeds, which he plants in soil that he’s placed in the middle of a single bed. The seed sprouts and grows into a grandmother, who’s loving and approving. Life with his parents and with his imagination continues. Is a smiling grandmother enough to get him through?Read More »

Quote:
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.Read More »

The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.Read More »

A film that defies conventional logic and storytelling, fueled by its dark nightmarish atmosphere and compellingly disturbing visuals. Henry Spencer is a hapless factory worker on his vacation when he finds out he’s the father of a hideously deformed baby. Now living with his unhappy, malcontent girlfriend, the child cries day and night, driving Henry and his girlfriend to near insanityRead More »

One of the most distinguished filmmakers working today, David Lynch is a director whose vision of cinema is firmly rooted in fine art. He was motivated to make his first film as a student because he wanted a painting that ‘would really be able to move’. Most existing studies of Lynch, however, fail to engage fully with the complexities of his films’ relationship to other art forms. “The Film Paintings of David Lynch” fills this void, arguing that Lynch’s cinematic output needs to be considered within a broad range of cultural references. Aimed at both Lynch fans and film studies specialists, Allister Mactaggart addresses Lynch’s films from the perspective of the relationship between commercial film, avant-garde art, and cultural theory. Individual Lynch works – “The Elephant Man”, “Blue Velvet”, “Twin Peaks”, “Lost Highway”, “The Straight Story”, “Mulholland Drive”, and “Inland Empire” – are discussed in relation to other films and directors, illustrating that the solitary, or seemingly isolated, experience of film is itself socially, culturally, and politically important. “The Film Paintings of David Lynch” offers a unique perspective on an influential director, weaving together a range of theoretical approaches to Lynch’s films to make exciting new connections among film theory, art history, psychoanalysis, and cinema.Read More »

Quote:
Picks up 25 years after the inhabitants of a quaint northwestern town are stunned when their homecoming queen is murdered.Read More »

SEVERAL of the characters in ”Dune” are psychic, which puts them in the unique position of being able to understand what goes on in the movie. The plot of ”Dune” is perilously overloaded, as is virtually everything else about it. As the first king-sized, Italian-produced science-fiction epic, ”Dune” is an ornate affair, awash in the kind of marble, mosaics, wood paneling, leather tufting and gilt trim more suitable to moguls’ offices than to far-flung planets in the year 10191. Not all of the overkill is narrative or decorative. Even the villain, a flying, pustule-covered creature, has more facial sores than he absolutely needs.Read More »

Quote:
John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as “The Elephant Man”. Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick’s life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for a dozen Academy Awards, the film was ultimately shut out in every category.Read More »