Crime

Synopsis:
An irresistible temptress causes trouble between two brothers when the more handsome charismatic ones turns up, leading to robbery and death.Read More »

Synopsis:
‘Otto Friedrich Dennert a veteran of the Essen police force is known as “The Grabber” for his unconventional methods. While investigating a series of killins of women he reaches retirement age. The case is take over by a new team, including Dennert’s son Harry. Convinced that they have arrested the wrong person, Dennert begins investigating by himself with assistance from the criminal underworld.’
– WikipediaRead More »

Quote:
In a career-defining performance, Alain Delon plays a contract killer with samurai instincts. A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology—maverick director Jean-Pierre Melville’s masterpiece Le samouraï defines cool.Read More »

“It started with a murder of a prostitute, a small matter, really…”

A stripper from Club Chez Nous is murdered. The killer contacts a newspaper to whitewash himself. Two journalists start to investigate the case and stumble on other crimes along the way.Read More »

Eccentric but faithful mafioso Chi-sung is sent to prison for his part in a gang fight. But when his parents are attacked by a rival mob and his own people take no action, he realizes that a decade of loyalty towards the gang has become futile. Determined to confront his own boss, he finds a way to escape from prison with his fellow inmates. Meanwhile, his friend Joo-joong is given the task to stop Chi-sung, forcing him to choose between the bond of friendship and loyalty towards the gang.Read More »

Synopsis:
This is an unusual film from the highly-rated Robert Hamer containing two superb performances from Eric Portman and the statuesque Guy Rolfe. Rolfe is a revelation in that he is in no way overshadowed by Portman and his physical presence dominates his scenes. The script matches the performances and the locations, direction, lighting, and camera-work ensure is it wholly convincing throughout. Set in France just before and during the Great War, there are some truly tense and suspenseful scenes and the film holds you from start to finish. It is a picture which, because of its unusual atmosphere and setting, together with the performances and story-line, stays with you. The last two scenes are touching and beautifully played. Why more was not made of Guy Rolfe’s talent and presence by giving him more prime roles in his career is a mystery to me. Try not to miss this one.Read More »

Quote:
The preeminent moonshine movie, the 1958 Thunder Road stars Robert Mitchum as a backwoods bootlegger in Tennessee, getting squeezed by both the federal government and organized crime. Mitchum had a big hand in creating this cult favorite (which reportedly played in drive-ins around America for years), writing the script, producing the movie, and even composing and singing the movie’s theme song, which became a radio hit. Directed by longtime cinematographer Arthur Ripley, the film is strong on characters and action, the latter fulfilled by a memorable chase scene at the end. Mitchum was at an artistic peak at this point in his career, and this is really an indispensable movie for his fans.Read More »

Quote:
Ex-con Johnny (Stanley Baker) used his time in prison wisely – to plan the biggest robbery of his career. The robbery goes smoothly and Johnny goes to bury the money in a field until the heat is off, as agreed with friend and racketeer Mike Carter (Sam Wanamaker) and the rest of the gang. In a moment of weakness, Johnny pockets five hundred odd pounds from the haul. Coupled with a tip-off from his ex-girlfriend (Jill Bennett) this proves to be his undoing and Johnny is soon back in prison. The rest of the gang try in vain to get the location of the money out of him without success until Mike hits upon the idea of a break-out using Johnny’s new love Suzanne (Margit Saad) as bait.Read More »

Andrew Stirling, a successful black urbanite buys a holiday home in America. On his first night there he is mistaken for a burglar by the police. To cover their tracks they unleash Amos Odell from prison to pretend to take Andrew hostage in return for his freedom. But things get tricky when the press turn up.Read More »