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Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.Read More »
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Hiroshima Police detective Ogami Shogo and his partner Hioka Shuichi are investigating the disappearance of a company’s employees amidst an escalating yakuza turf war in 1988. Blood, shooting and death is everywhere. At the same time, there is a suspicion that the former man has his own ties to the thugs. Certainly many of his methods and actions are thuggish, violent and should be illegal.Read More »
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In the “Oasis” in Tangier, the emissaries of the oil sheiks meet and, in addition to the “white skin”, also trade other goods such as weapons and drugs.Read More »
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Giallo a Venezia, also known as Giallo In Venice, has a reputation for being one of the sleaziest films produced in an already sleazy sub genre. Giallos, for the uninitiated, are Italian horror films known for their extreme violence punctuated by scenes of explicit sex; they heavily influenced the American slasher films of the late 70s and early 80s, but, for the most part, American horrors paled in comparison to their Italian counterparts.Read More »
A story about an investigating team leader, Hwang Joon-cheol, in charge of investigating boys who are suspected of robbery at the local town’s supermarket, ‘Woori Super’.Read More »
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In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then tutelage from Lefty, an aging swindler. After some years of success, they’re joined by Federico, the best, a true artist. Things go well until Pilar, a woman from Federico’s past, re-enters his life with a proposal to con a golden goose – a swindle that will put them all on easy street. A double-cross may be in the cards. The flashback over, can Ernesto hold his own in the present? Read More »
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Joel and Ethan Coen’s Fargo is a refreshingly original and complexly taut film that operates on a multifaceted level that is, all at once: compelling, macabre, funny, tragic, and even romantic. From the opening sequence of a car navigating agilely through an endless snow covered road with a car in tow, the Coen brothers deftly craft a highly engaging and comically sinister contemporary masterpiece. Jerry Lundegaard (William H. Macy), a Minneapolis car salesman, arranges to meet with two petty criminals in a Fargo bar, Carl Showalter (Steve Buscemi) and Gaear Grimsrud (Peter Stormare).Read More »
imdb wrote:
Set in a little remote village, where everyone is very religious and primitive, “O Crime de Aldeia Velha” (The crime of Aldeia Velha) tells the story of Joana, the most beautiful girl in village. She is badly regarded by all other women because they envy her and her affairs with men. As soon as accidents start happening involving her (at some point, she holds an already sick baby and he eventually dies), the women (and slowly, men too) in the village start claiming that she is possessed by the devil. At first,she doesn’t believe it. They ask for two priests to exorcise her, but they leave and say to the people that she isn’t possessed at all, and that people need to relax. Read More »