Crime

Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to.Read More »

“Trojan is released from jail and goes straight back to his profession as a criminal. He gets hold of a weapon and looks out for new jobs. In just a few takes, Thomas Arslan sets up the anonymous world of his gangster protagonist by falling back on motifs and characters from the genre. The backroom of a car workshop, parking lots, furnished apartments. One meets men and women who distrust each other because they are all out to line their own pockets. The setting changes constantly, with surveillance and chase scenes providing a dynamic narrative rhythm. Since crime makes up Trojan’s daily existence, the film concentrates entirely on the technical nature of a life outside the law. The reduced and clear-cut images – shot with a Red camera 
– highlight the exact sequence of events. In the Shadows (Im Schatten) is a genre film that focuses consistently on the mechanics and external process of a crime. It develops a sense of great suspense, without burdening its figures with personal stories. Each hand movement has to be right.”
(From the Berlinale Forum catalogue – by Anke Leweke)Read More »

The story of Venezuelan revolutionary, Ilich Ramirez Sanchez

Review:
A television production in format but not form, Olivier Assayas’ ambitious Carlos spans many years and many hours in recasting the life story of Venezuelan terrorist Carlos the Jackal. With a script that hews closely to the facts of the life of Illch Ramírez Sánchez (who adopted the “Jackal” moniker once he became a revolutionary), this action-oriented drama finds its talented director in territory that he recently explored with his similarly themed, but entirely fictional, works Boarding Gate and demonlover. Just as those two movies depicted espionage as a globalized phenomenon, Calros shows the international face of terrorism. Like those movies, this globe-trotting epic has as many scenes set in anonymous airports as in identifiable cities. Even more peculiarly, though, like those genre exercises, Carlos offers a kinky combination of sex and guns that, making this more titillating and exciting than standard biopic fare.Read More »

Sisters is a 2011 film based on a true story from Serbia. Sisters is about human trafficking.
Two sisters from Krusevac, Serbia, decided to take part-time job in Italy, little did they know that they will become victims of human trafficking, prostitution, and well organized crime organization.Read More »

David Cornelius wrote:
“Nine years after helping define the heist movie with the 1955 masterpiece “Rififi,” director Jules Dassin took another go at the genre, this time with a comedy. “Topkapi” is a lighter, breezier affair than Dassin’s earlier picture, but it’s in no way weaker or less memorable. In fact, it’s this movie that served as the inspiration for the classic TV series “Mission: Impossible,” and yes, it’s this film’s most memorable sequence that was, um, “borrowed” for the most memorable sequence of the 1996 “Impossible” movie.Read More »

Description: David Cronenberg directed this screen adaptation of a graphic novel by John Wagner and Vince Locke which explores how an act of heroism unexpectedly changes a man’s life. Tom Stall (Viggo Mortensen) lives a quiet life in a small Indiana town, running the local diner with his wife, Edie (Maria Bello), and raising their two children. But the quiet is shattered one day when a pair of criminals on the run from the police walk into his diner just before closing time. After they attack one of the customers and seem ready to kill several of the people inside, Tom jumps to the fore, grabbing a gun from one of the criminals and killing the invaders. Tom is immediately hailed as a hero by his employees and the community at large, but Tom seems less than comfortable with his new notoriety. One day, a man with severe facial scars, Carl Fogarty (Ed Harris), sits down at the counter and begins addressing Tom as Joey, and begins asking him questions about the old days in Philadelphia. While Tom seems puzzled, Carl’s actions suggest that the quiet man pouring coffee at the diner may have a dark and violent past he isn’t eager to share with others — as well as some old scores that haven’t been settled.Read More »

Bette Davis’ famous walk-out from her home studio of Warner Bros. may have hurt her financially, but in the long run it paid off with bigger parts in better films. Like many Warners films of the period, Marked Woman was “torn from today’s headlines.” Specifically, it was inspired by the recent downfall of gangster Lucky Luciano, who at one time controlled all prostitution activities in New York.

The ladies herein are euphemistically characterized as “night club hostesses,” but when Luciano look-alike Johnny Vanning (Eduardo Cianelli) shows up at a fancy clip-joint to give the girls their marching orders, the audience can tell exactly what’s going on.Read More »

Synopsis
L’Amour avec des si is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on yong women. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.Read More »

A sophisticated Italian beauty (Carroll Baker) is unable to pick between the three men she is admittedly in love with. As a result Gianni (Gastone Moschin), Gaetano (Renato Salvatori), and Mike (Michel Le Royer) are invited to a lush villa in the Adriatic coastal city of Dubrovnik to participate in a small contest. There day after day Margherita will toy with the men’s sexual fantasies until they finally realize that no one is expected to win.Read More »