Crime

Berg is a young stunt car driver who leaves his profession and starts working at a private security service.Read More »

Quote:
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary – an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.Read More »

Detectives working for an airline suspect a club owner of smuggling heroin in consignments of artificial flowers. Meanwhile, Scotland Yard are investigating a series of killings of young women associated with the club, all the bodies being found along with a handful of plastic daffodils…Read More »

Shirō raids the office of the organization that attacked his lover, wreaking havoc and escaping with a stolen handgun. In retaliation, the organization hires two killers to get rid of Shirō. The duo begin to develop a strange kinship with their target…Read More »

Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain’s pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured.Read More »

Synopsis:
Arsène Baudu and Hyacinthe, a pair of small-time crooks, fall prey to Alexandre Larsan-Bellac, who involves them (against their will) in high profile swindling. But their success is quite limited. For starters they are deceived by Mrs. Paterson, a charming widow. Later on, Ribeiro, a Portuguese contractor and former victim of the two crooks, traces them and forces them to work on one of his building sites as damages. Just then, Larsan-Bellac resurfaces with plans to lure Ribeiro once again…Read More »

A middle-aged, unemployed heroin-addict, Checkie, loiters on the Tbilisi street outside his son’s school, where he himself was once a promising student. His wife, meanwhile, struggles to pay the tuition and understand her husband’s lack of interest in the family’s survival—even as the bank repossesses their furniture. But when a group of policemen blackmails Checkie into entrapping the son of his wealthy friend, husband and wife are unified by the uncertainty of their deepening moral dilemma, and a series of worsening foul-ups, in Levan Koguashvili’s lightly humorous yet realistic drama about the fate of a generation left behind in Georgia’s post-Soviet era.Read More »

Private investigator Philip Marlowe helps a friend out of a jam, but in doing so gets implicated in his wife’s murder.Read More »

Quote:
The storyline of this movie involves a series of motiveless murders committed by various New York residents: a sniper shoots people from a water tower; a father murders his entire family; and a cop (Andy Kaufman) opens fire during a St. Patrick’s Day parade. The only consistent pattern to the crimes involves the perpetrators calm admissions of guilt, explaining, “God told me to.” While investigating the murders, catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can’t seem to shake the feeling that his own fate is somewhat linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed.Read More »