The Belgian detective Hercule Poirot investigates a series of murders in London in which the victims are killed according to their initials. The first victim is A.A. the second B.B. and so on. Poirot is assisted in his investigations by Captain Hastings and Inspector Japp. Written by Mike HatchettRead More »
Comedy
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Frank Tashlin – The Alphabet Murders (1965)
1961-1970ComedyCrimeFrank TashlinUSA -
Robert van Ackeren – Harlis (1972)
1971-1980ComedyDramaGermanyRobert van AckerenIMBD wrote:
While out on the town in Berlin, Raymond (Ulli Lommel) sees and falls for Harlis (Mascha Rabben), a star of a troupe of lesbian cabaret strippers. Attracted to a man for the first time, Harlis leaves her long time girlfriend and dance partner Pera (Gabriele Lafari). Overwhelmed by jealousy and anger, Raymond’s brother Peter (Rolf Zacher) and his ex-fiancee Ria (Heidy Bohlen) are determined to sabotage this budding romance.Read More » -
Edouard Niermans – Le retour de Casanova (1992)
Drama1991-2000ComedyEdouard NiermansFrance

Synopsis (possible spoilers):
“Well into middle-age, Casanova finds himself wandering purposelessly in the South of France, accompanied by his ever-loyal valet Camille. Weary and almost penniless, the legendary seducer yearns to return to his native Venice, but cannot do so until he receives written permission from the authorities. One day, he meets Olivo, an old friend who invites him to stay in his country house. Casanova gladly accepts and learns that Olivo’s wife, Amelie, is one of his former conquests. Whilst Amelie tries in vain to rekindle his erstwhile passion for her, Casanova’s attentions are fixed on Marcolina, his host’s beautiful niece. To Casanova’s horror and incredulity, Marcolina, a woman of rare intelligence and sophistication, fails to find him the least bit attractive. It seems her heart is already given – to a dashing young military man named Lorenzi…”
– Films de FranceRead More » -
Marco Ferreri – L’ape Regina aka The Queen Bee (1963)
1961-1970ComedyDramaItalyMarco Ferrerisynopsis:
In this Italian sex comedy, a middle-aged car dealer marries a young girl and gets more than he bargained for. She is obsessed with getting pregnant pronto. To this end, she keeps him in bed all the time. The poor man simply cannot keep up with her demands.Read More »
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Lamar Card – Supervan (1977)
1971-1980ActionComedyLamar CardUSAIMDB:
A man named Clint enters a solar-powered van called Vandora into a competition called Freakout.Read More » -
Pier Paolo Pasolini – Uccellacci e uccellini AKA Hawks and Sparrows [Restored Edition] (1966)
1961-1970ArthouseComedyItalyPier Paolo PasoliniThe Hawks and the Sparrows (Italian: Uccellacci e uccellini, literally Bad Birds and Little Birds) is a 1966 Italian film directed by Pier Paolo Pasolini. It was entered into the 1966 Cannes Film Festival.
The movie is a post-neorealist story about Totò, the beloved stone-faced clown of Italian folk-stories.
Originally Uccellacci e Uccellini, The Hawks and the Sparrows was adapted by director Pier Paolo Pasolini from his own novel. Italian comedian Toto plays a dual role, as “himself” and 12th century monk Brother Ciccillo. In modern times, Toto and his son Ninetto Davoli come across a talking crow who insists upon asking them where they’re going. The answer, it turns out, is eight centuries into the past, where Toto and Davoli become monks, employed by Francis of Assisi to convert the birds of the world to Christianity. Unfortunately, every sparrow that they win over to God is devoured by a hawk. Back in the present, Toto and Davoli face a similar situation when their landlord threatens them with eviction. After various and sundry misadventures, the two human protagonists, growing weary of the philosophical crow’s loquaciousness, eat the bird and move on, prepared to face whatever life brings them without the “help” of their feathered friend. The symbolism in The Hawks and the Sparrows is so obvious as to be funny, which was Pasolini’s intention all along.
Hal EricksonRead More » -
Matteo Pellegrini – Italian Movies (2012)
2011-2020ComedyItalyMatteo Pellegrini
Cleaners, emigrants from all over the world, work in night shift at studio sound stages where Italian soap operas are filmed. Once they find unlocked one of the doors to rooms where cameras and shooting equipment is stored. And Hindu Dilip stumbles on a great idea: to film his friend’s wedding ceremony as a gift to him. Quite soon this idea becomes the second source of income for the whole shift team of cleaners and changes their lives forever. After many ceremonies and guest nights they decide to use the empty sound stages at night to film the real stories of real people. The TV «soap» during the day and the real life stories at night… A small screw in the huge television machine. But how long will it last?
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Alexey Chupov, Natasha Merkulova – Intimnye mesta AKA Intimate Parts (2013)
2011-2020Alexey Chupov and Natasha MerkulovaComedyDramaRussiaQuote:
“Intimate Parts” is an ironic melodrama about middle-class Muscovites. Each of them has a personal secret, hidden from others – the “intimate part”. The main character, a scandalous photographer Ivan, juxtaposes himself to others. He is convinced that people are born to be happy; and happiness is freedom to stay true to one’s self. The real question is: how safe is it to let your inner self out?Read More » -
Paolo Sorrentino – La grande bellezza AKA The Great Beauty (2013)
2011-2020ArthouseComedyItalyPaolo SorrentinoSynopsis
The story of an aging writer who bitterly recollects his passionate, lost youth. A portrait of today’s Rome.
imdb.comReviews
Rome in all its splendor and superficiality, artifice and significance, becomes an enormous banquet too rich to digest in one sitting in Paolo Sorrentino’s densely packed, often astonishing “The Great Beauty.” A tribute to, and castigation of, the city whose magnificence has famously entrapped its residents in existential crises, the pic follows a stalled author gradually awakening from the slumber of intellectual paralysis. Very much Sorrentino’s modern take on the themes of Fellini’s “La dolce vita,” emphasizing the emptiness of society amusements, “Great Beauty” will surprise, perplex and bewitch highbrow audiences yearning for big cinematic feasts…
Jay Weissberg, Variety
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