Last film by Assi Dayn.
Dr. Yoel Pomerantz, 64, is an unemployed clinical psychologist who lives in poverty with his 30 year old son Yoav in a 12th floor apartment. Pomerantz volunteers at ANA, the psychology hotline and is an expert at dialoguing with potential suicide callers. Occasionally he suggests that they come to his clinic for private therapy sessions.Read More »
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In a Macedonian gypsy village local man meets an Indian UNPROFOR physician whom he sees as solution to all his troubles.Read More »
Description:
“There’s not much written about this film online, there are interviews in which Lav actually mentions this film, but that’s it, perhaps, no one has taken actual interest on this. I have written a paper about this for a film theory class, but I’m afraid its something that I can’t have posted online, haha, reading back, its kind of shitty.Read More »
Black Jesus just can’t take it any more. He hates his dying wife and his transsexual son – but not for the reasons you think. She won’t let him obsessively cut coupons, and he/she fetishizes guns to the point of distraction. His other daughter is a dope fiend, and his recently deceased father was an out and out pervert. And don’t even bring up autistic child prodigy Hobie. Desperate to play the violin, the partially blind boy spends his days roaming around the city, instrument in hand and toilet paper tube up to his bad eye. When the youthful talent meets European Ernie, it seems like everything will be all right. He coaches the child, and even suggests someone who might be able to teach him a thing or two. In the meantime, Mom and the sexually confused Shamu build a bomb. With Black Jesus out of the house, they intend to avenge the cultural attacks on religion once and for all.Read More »
Plot / Synopsis
50 year old, retired goth rocker Cheyenne travels from London to New York to visit his dying father, and journeys across the United States on a mission to seek revenge against the elusive, ex-Nazi war criminal who persecuted him in Auschwitz. Despondent after two of his young fans commit suicide, Cheyenne retreats to his Dublin mansion and begins living off of his royalties alongside his down-to-earth wife Jane. Later, Cheyenne receives word that his father is dying in New York City. Though they haven’t spoken in 30 years, Cheyenne boards the first available flight to bid his father farewell. Unfortunately, Cheyenne is too late. Upon reconnecting with his cousin Richard, however, the morose musician learns that his father, a Holocaust survivor, had been tracking Auschwitz guard Aloise Lange (Heinz Lieven) around America for decades. Now filled with ennui yet determined not to let Lange escape unpunished, Cheyenne vows to pick up the mission where his father left off.
~ Jason Buchanan, RoviRead More »
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Marty is a caustic, small-time con artist drifting from one scam to the next. When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper. Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class.Read More »
Plot: A movie musical about…wrestling? Turns out the public grew weary of musicals while Sit Tight was made, so most of the tunes were jettisoned prior to release. What remains is a wrestling comedy filled with plenty of pre-Code friskiness. Athletic funnyman Joe E. Brown plays Jojo Mullins, who has an eye for the ladies although his heart belongs to the manager (Winnie Lightner) of the health club where he works. Eager to show the ring prowess he learned by correspondence, Jojo gets his chance in a big-time match. Paul Gregory and Claudia Dell (rumored to be the model for Columbia Pictures logo) play the subplot’s young lovebirds in this energetic comedy that’s one of nearly 50 films directed by Lloyd Bacon in the 1930s. From Warner Brothers Studio!Read More »
REVIEW by Anji Milanovic (from plume-noire.com):
In Old, New, Borrowed and Blue director Natasha Arthy begins the film with a signed certificate of authenticity from the Dogma school. By the film’s end, however, it’s clear that she has taken the rules of Dogma and used them to make her own engaging film, instead of an exercise in philosophical experimentation.Read More »
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A sardonic and irreverent contemporary adaptation of William Shakespeare’s Hamlet, Hamlet Goes Business is an idiosyncratically whimsical, yet incisive satire on corporate greed, materialism, corruption, and vengeance. Shot in black and white and employing high contrast lighting, the film achieves an atmospheric noir that reflects Aki Kaurismäki’s irrepressibly droll sense of humor and penchant for understated irony. Kaurismäki incorporates traditional, often manipulative and hackneyed stylistic devices of lush, overarching music, directed stage lighting, expressionistic gestures, skewed camera angles, and meticulously composed slow motion shots in order to playfully subvert dramatic convention: Lauri’s angered departure from Hamlet’s office; Hamlet’s self-consciously tormented delivery of a poem to Ophelia; the overdramatic, but anticlimactic plot device of the Murder of Gonzago play-within-a-play episode to expose Klaus’s treachery; the exquisite choreography of Ophelia’s final moments of despair. By integrating muted emotion with exaggerated theatricality, Kaurismäki creates a delirious and incongruent fusion of highbrow art film and pop culture kitsch – a patently iconoclastic comedic tragedy on indecision, inertia, and alienation.
(filmref.com)Read More »