Comedy

Deceptively simple and executed with a documentary feel, this drama represents a highly personal journey home for expatriate Palestinian filmmaker Elia Suleiman. The film is divided into two sections. The first documents the paradoxical but sleepy existence in the Arab part of Nazareth. The second part takes a more political view of the city and in it, Suleiman takes a more active role. He has come to his former home in search of inspiration, but what he sees are many disturbing images of Arab people trapped in a cultural identity crisis, a point best illustrated by the plight of a young Arab woman who wants more independence than traditionally allowed in her part of town but cannot find it because of prejudiced residents on the Jewish side.Read More »

Synopsis:
Atterbury Dodd is an efficiency expert who believes everything can be reduced to mathematics. He is sent to Hollywood to see whether Colossal Pictures is a good investment. He soon learns that movie production doesn’t fit his formulaic mindset.Read More »

Filmmaker Sacha Guitry’s only cinematic contribution for 1939 was Ils Etaient Neuf Celibataires, released stateside as There Were Nine Bachelors. Set sometime in the past, the story gets under way when a new law calls for the expulsion of certain foreigners from Paris. Among those slated for deportation is Polish stage star Elvire Popesco. Guitry plays an opportunist who offers to help Popesco remain in France in exchange for her help in a highly suspicious “lonely hearts” scam. Our so-called hero intends to marry off nine elderly bachelors with an equal number of female foreign aliens, so that the latter will be able to declare themselves as French citizens. Naturally, most of the financial proceeds of this venture are to remain in Guitry’s possession — not to mention any female “fringe benefits” picked up along the way.Read More »

In the second installment of the parodic Fantomas series, the title arch criminal and master of disguise kidnaps prominent scientist Prof. Marchand in order to develop a new powerful weapon to threaten the world. Fantomas is also planning to kidnap another scientist, Prof. Lefebvre. Journalist Fandor (Jean Marais, who also plays Fantomas and Prof. Lefebvre) decides to set a trap for the elusive villain. He disguises himself as Lefebvre and attends a scientific conference in Rome expecting Fantomas to kidnap him. As always, Fandor’s ingenious plan backfires due to the interference of the bumbling police commissioner Juve (Louis de Funès).Read More »

In the third installment of the parodic Fantomas series, the eponymous arch criminal imposes the “right-to-live” tax on the rich, threatening to kill those who dare not to pay. Journalist Fandor (Jean Marais) and commissioner Juve (Louis de Funès) are invited to the Scottish castle of Lord McRashley (Jean-Roger Caussimon), one of Fantomas’ potential victims, who has decided to set a trap for the elusive fiend.Read More »

England’s prime minister (Norman Wisdom) pulls some strings to get his hapless grandson Norman (also played by Wisdom), a newspaper vendor in London, a job as a reporter in the sleepy seaside town of Tinmouth. Once there, the lad doesn’t take long to find trouble on the job — and his habit of making up the news isn’t helping — in this breezy comic vehicle for Wisdom, who also plays Norman’s suffragette mother in flashbacks.Read More »

In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the ‘king of the beggars’.
Quote:
Brecht’s opera, as we have seen, is not as ideologically pure as he would have us believe, nor is Pabst’s film as apolitical as Brecht charged. Both works are to be valued in their own right, although to my mind, Pabst’s film is ideologically more correct from a Marxist point of view. One can argue, then, that despite Brecht’s objections to the film, Pabst’s version of THE THREE PENNY OPERA is the most Brechtian film adaptation of Brecht’s work to date.Read More »

Synopsis:
Surprised by a burglar (Michel Serrault), the doleful Philippe (Jean Poiret) regains his composure, then asks the thief for his assistance. It seems that Philippe wants to commit suicide but hasn’t the nerve to pull off the deed himself. In flashback, Philippe recounts the events that led up to this critical and anxious moment. As it turns out, our “hero” is a bigger criminal, both actual and moral, than the nonplused burglar could ever be.Read More »

When oil engineer Sami (Roushdy Abaza) starts digging for oil in Luxor, he disturbs the spirits of the ancient Egyptians buried beneath the ground. The spirits decide to send him the last bride of the Nile, Hamees (Lobna Abdel Aziz) to stop him. Will Hamees succeed or will modern technology destroy the ancient civilization?Read More »