In this meditation on the history of cinema, contemporary scenes blend with clips from the silent era. A cinematographer (Mehdi Hashemi) consults with the shah of Iran (Ezzatollah Entezami) in an attempt to convince him that cinema is beautiful. Movies are censored, however: the shah bans them himself. But when the shah falls in love with a beautiful silent-film actress (Fatemah Motamed-Aria), he forfeits the throne and crosses into the realm of the movie screen to be with his love.Read More »
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A cleverly composed, prefiguring episode in Three Lives and Only One Death shows Mateo Strano (Marcello Mastroianni) in simultaneous, tripartite images (in a similar vein as Alain Resnais’ Last Year at Marienbad and Lina Wertmüller’s Love and Anarchy) through mirrors and split-screening as he continues to awkwardly fidget with his necktie even after a secondary point-of-view shot indicates that he has already placed his hands on the dinner table while waiting for his wife, Maria (Marisa Paredes) to return to the room.Read More »
A bizarre rite of passage at the local deli determines the fate of a generation of teenagers, leading some to escape their suburban town and dooming others to remain.Read More »
Minoru Kawasaki (The Calamari Wrestler, Executive Koala) returns with yet another bizarre offering of Japanese film oddity.
Taisho’s father is a supermodel cat, and everybody believes that Taisho will be a supermodel as well. His family has great expectations of him, because he is the eldest son, but he can’t bear all the pressure and runs away from home.Read More »
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Seven characters, introduced at the start of the film, get thrown together into the same hotel room: a thief who’s stolen a suitcase of money from the mob, his ex-girlfriend, her obsessive boyfriend, the mob soldier sent to retrieve the briefcase, another mobster sent to kill them, master voyeur Captain Banana and his new apprentice, The Mister Yellow. Who will end up with the money?Read More »
Synopsis
A film buff does his generational autobiography by relating the problems of maturity in contemporary cinema to the character of Antoine Doinel. When he learns that the actor who played him is coming to visit his city, he makes a drastic decision.
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Exhausted after leaving work, Alfonso goes to the beach and dives into the sea. Coming to the surface, he finds himself on another beach, in another time. His parents are waiting for him, calling to him from the water’s edge. Alfonso sees and understands everything from his adult’s body, even if they treat him like an 11 year old. This is the beginning of a fantastic voyage through the different holidays in his life, where the situations come one after the other with no chronological order, interrupting with a tone of intimacy and entertaining nostalgia his meetings with girlfriends, teenage and childhood pals, his daughter, and his loneliness.Read More »
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A Chinese girl named Xingxi travels alone to Alor Setar, a town in Northern Malaysia. As the result of a blown tire, she experiences three variant adventures. She introduces herself to people as different identities with mysterious secrets. Brooke claims herself a traveler in the first adventure, but an anthropologist in the second adventure. In the third adventure, Brooke is a disheartened woman who comes across French writer Pierre. Two lonely travelers become intimate friends. They share their respective insights into life, death, and love. As the enigmatic story of Alor Setar begins to unfold, Brooke tells Pierre the true reason why she has come. Nature divulges her sought for love with the magical Blue Tears.Read More »
In this adaptation made during the the London Blitz of George Bernard Shaw’s edgy comedy of the same name, Wendy Hiller as the idealistic title character is running a Salvation Army shelter in the East End that aims to save the souls of the destitute while preserving their physical well-being. She becomes engaged to the sceptical, unworldly Adolphus Cusins (Rex Harrison), a professor of Ancient Greek who discards his agnosticism and joins the Salvation Army to be near his fiancee. Cusins is then startled to learn that Major Barbara in fact comes from a privileged background – she is the grand-daughter of an earl on her mother’s side, and her long-absent estranged father Andrew Undershaft (a young Robert Morley) is a multi-millionaire arms manufacturer.Read More »