Comedy

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Can you find happiness in the big city? The young hat maker Natascha, who lives with her grandfather in a suburb covered in winter snow, has to commute by train from the village to Moscow to deliver her creations to the extravagant Irene’s hat shop. For the administration, Irene claims Natascha to be her subtenant in order to be able to have more living space. The clumsy railway official woos the lovely country girl with his ravishing smile. But she enters into a fictitious marriage with the provincial Ilya in order to get him a room in Moscow. With an apparently worthless lottery ticket, which Irene’s husband gives to Natascha, the entanglements become turbulent. Boris Barnet describes the contrasts between city and country and the new living conditions in Moscow in a stylish and socially critical way. Three great acting talents, Anna Stén, Iwan Kowal-Samborski and Vladimir Fogel, form the triangle of relationships. Originally ordered as a vehicle to advertise the State Lottery, the film made the studio rich and the natural talent director Boris Barnet famous as the founder of lyrical comedy.Read More »

Anatoli Yefremovich Novoseltsev works in a statistics institution, whose director is an unattractive and bossy woman. An old friend of his, Yuri Grigorievich Samokhvalov, who gets appointed assistant director of the institution, wants to make Novoseltsev the head of the department but encounters objections from Ludmila Prokopievna Kalugina, the director. Samokhvalov then advises Novoseltsev to lightly hit on the boss. Ironically, Novoseltsev and Kalugina fall in love with each other…Read More »

amazon
After directing three of Universal’s finest horror films, James Whale shifted gears with the elegant romantic comedy By Candlelight. Though quite miscast, Paul Lukas successfully conveys the role of Josef, ultra-dutiful valet to the libidinous Count Von Bommer (Nils Asther). Falling in love with Marie (Elissa Landi), whom he assumes to be a countess, Josef poses – quite convincingly – as his rakish master. The catch: Marie is herself a poseur, a mere maidservant to Count and Countess Von Rischenheim (Lawrence Grant, Dorothy Revier). Based on a play by Siegfried Geyer, By Candlelight is chock full of delightfully double-entendre pre-Code dialogue and dextrous directorial touches.Read More »

When novelist Alessandro Battavia commits suicide, a taxi driver named Evangile and her brother Nord believe they are characters imagined in a novel, probably one written by God. Because they see their lives as “merde,” they go in search of God to get their story rewritten. Along the way, believing everything is imaginary anyway, they shoot people, rob pharmacies, and tie up the residents of places they squat. They also gather a taxi full of eccentrics, including a priest, Battavia’s suicidal widow, and a policewoman; various couples pair off. Soon life imitates art: the events and ellipses seem lifted from modern fiction as the group’s quest for God continues. What’s real?Read More »

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A richly outfitted journey backwards to daily life in small “family-run” brothel, the film is reminiscent of Federico Fellini’s 1973 Amarcord, set in a small Italian town along the coast in the 1930s.Read More »

Synopsis:
Isabelle Douléan (Isabelle Adjani) is a medical student who lives with her dad, Jean (Lino Ventura). The fact that her parents (Ventura and Annie Girardot) don’t live together anymore does not bother her that much. Love life, cute guy (Jacques Spiesser), annoying boyfriend (Francis Perrin), exam failure, and yearning for independence are some of the things Isabelle must deal with. These are like a slap in the face for her; it’s something unexpected and painful at the same time…Read More »

In this black comedy, Fred (Jean-Louis Trintingnant) works for an insurance company as a computer engineer. Fred is bored with enduring the trials of his shrewish wife, so, after using actuarial tables to calculate the most common means of death, he cleverly prepares the family bathroom and brings about her demise. For a while he is content with his new freedom, but then he recognizes that a friend is in a similar situation.Read More »

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In this video release of a 1983 episode from the critically acclaimed PBS series Soundstage, oddball comedian and satirist Andy Kaufman is featured in one of the last performances before his untimely death in 1984. Considered by some critics and fans to be a Dadaist, and known for blurring the borders between his stage persona and his “true” personality, Kaufman inflicted a brand of humor that was unique, sometimes slipping beyond comedy into performance art — or mental illness. Here his format is the late-night talk show, and his sidekick is a marionette of his alter ego, obnoxious dive-lounge comedian Tony Clifton. Also included in the show: Kaufman reprises his Foreign Man character, impersonates Elvis Presley, seems to expose guest Dr. Alex Schorr as a fraud, and apparently has a genuine argument with his former girlfriend Elayne Boosler. — Steve BlackburnRead More »

IMDB:
This is not only the best dutch movie that I have ever seen, but one of the most moving movies that I have ever seen. Great picture of dutch society, on extraordinarily interesting people, full of great humor and sadness, and most importantly on life and death (parallel to the last two). This film is FULL in every way that a film should and can be. It is the heart-filling and heart-wrenching story of one of the most extraordinarily human lives (beautifully acted) ever put on film. It is about Simon, his fast life, his loved ones, and his chosen death. It is also about the truly free society, where all can choose their life and their death for themselves. It is a portrait of a culture of personal responsibility, love, and life that is so needed everywhere. It will make you think, laugh and cry. When and if you can, see this picture, you won’t be disappointed. It’s one of the greats.Read More »