Comedy

Seven friends gather for an extravagant dinner in an idyllic summer cottage. But beneath the surface, a series of ticking bombs of secrets and intrigues lurk, and as the evening progresses, the picture-perfect facade begins to crack.Read More »

Françoise, apparently happily married to Henri, a racing pilot, discovers that her husband has a mistress. She decides to leave the flat in a bourgeois district of Paris and rents a little room (in former servants’ quarters on the higher floor of a bourgeois building) rue de l’estrapade . She even looks for a job in a fashion showroom. But Henri wants her back.Read More »

An all-woman crate factory’s new fireman installs a hidden camera in the women’s dressing room for the male management’s pleasure, eventually boosting business.Read More »

Quote:
In the near future in Czechoslovakia (the movie was made in 1961, after all), a space flight is in the final stages of preparation. As the astronauts are being interviewed, Joseph the upholsterer (Milos Kopecký) is gluing the last bits of padding in place. Joseph is lazy and incompetent, and always complaining — the classic goof-off who tries to shift blame to anywhere but him. While his supervisor berates him for being behind schedule via the communicator screen in the ship, Joseph manages to kick the takeoff switch and the rocket takes off into space with him as the only passenger.Read More »

Alois Randa, the manager of the mountain hotel, is overwhelmed with worries: he is expecting a large number of tourists, he cannot cook and his only employee, Miluska, the maid, is packing her bags. She won’t stand Bohous any longer. Bohous is Randa’s giant St. Bernard who refuses to respect Miluska’s privacy. So the maid is gone, but the first guest arrives, hungry as a St. Bernard. The proud owner of the St. Bernard makes a bizarre bet with him – if the guest manage to eat more courses than Bohous, he will be guaranteed a free week’s stay. If he fails, he’ll be hotel’s new maid for a week.Read More »

Quote:
From the very beginning of Trust, Hal Hartley’s spellbinding second feature, snotty naïveté and cultured cynicism intertwine and dance in locked, hypnotic two-step. Just as teenaged Maria (Adrienne Shelly) tells her parents that she’s been knocked up by her high school’s alpha jock, leading her father to literally drop dead, Matthew (Martin Donovan) throws a tantrum of anti-technological philosophy in the repair division of a computer corporation where he works. While her idyllic future with quarterback Anthony comes crashing to the ground when he rejects her, Matthew remains stilted by his inability to cut ties with his abusive father (John MacKay). They meet-not-particularly-cute in an abandoned home and fall for each other in an odd, intriguingly deadpan way that underlines the unlikeliness of their union.Read More »

Ten-year-old Palkó has just moved home to Budapest from Berlin and observes the daily life of an ordinary Hungarian elementary school with confused amazement. Juci, the young teacher just started working there. She is the only one who understands Palkó, as in their own way, they are both suffering from the same, sometimes grotesque educational system.Read More »

A father and son try to freeze time through cinema, but the father’s illness threatens to cut their quest short.Read More »

In the summer of 2015 in Tokyo, Japan. Ryoichi dreamed of becoming a punk rocker when he was younger, but became a timid salaryman at a musical instrument parts company. He has feelings for Yuko, but he can‘t tell her how he feels. One day, he has a fateful meeting with a turtle on the rooftop of a department store. He names the turtle Pikadon and he adores it, but his co-workers laugh at him. Ryoichi throws Pikadon into the toilet. He regrets what he did. The turtle though goes through sewerage and meets an old man who lives in the underground. Something then happens.Read More »