Classics

A major figure in both pre- and post-revolutionary Iranian cinema, Bahram Beyza’i burst onto the scene with Downpour, his remarkable debut feature that won a Special Jury Prize at the First Tehran International Film Festival. Mr. Hekmati (Parviz Fanizadeh) arrives in the poor southern part of Tehran to take up a teaching post. When his students misbehave, he expels one of them. The next day, the boy’s older sister Atefeh comes to the school to plead her brother’s case. Smitten by her beauty, Mr. Hekmati is nevertheless reluctant to approach her, especially after he learns that her hand has already been promised to the local butcher. Beyza’i creates a powerful sense of a closed community still ruled by tradition, where custom always trumps individual desire. Thanks to its restoration by Martin Scorsese’s World Cinema Foundation, this key Iranian classic can now be discovered by new generations of filmgoers.
— Film at Lincoln CentreRead More »

Harold Lloyd’s most critically successful talkie. Timid milkman, Burleigh Sullivan, somehow knocks out a boxing champ in a brawl. The fighter’s manager decides to build up the milkman’s reputation in a series of fixed fights and then have the champ beat him to regain his title.Read More »

IMDb wrote:
A Bulgarian youth and a foreign girl meet at a Bulgarian seaside resort. They like each other and joking begin first a word game, and then another game called ‘The Pope Is Ill’. It turns out, however, that it is not the Pope who is really ill, but the girl’s father, an eminent western nuclear physicist who is terminally ill with cancer. His daughter is scared to death of the possible nuclear Armageddon, which has repeatedly been discussed in her presence. Gradually the carefree beach side mood is replaced by a serious conversation rich in implied meanings. A series of ‘visions’ reveals the view of each of two young people, which turn out to be very different. The girl imagines the apocalyptic end of the world, while the boy thinks of the evolution of life from its origins to the colonization of other space.Read More »

Synopsis:
Gerardo, an aspiring actor, trying unsuccessfully to cross over from comedy to tragedy, is involved, due to his ability to mimic dialects of Italy, in a scam concocted by Lallo against a rich cloth-merchant.Read More »

Quote:
“No film is so enchanting but ultimately tragic as Le Grand Meaulnes, based on the classic novel of the same title written by Alain-Fournier, his only novel published the year after he was killed in the first World War.

I’ll need to start with the novel since it is so fundamental to the film. Whoever read it in their youth can never forget it. It influenced Jack Kerouac, and thus became the only book that Sal Paradise carried with him in On the Road. Author John Fowles considered it “the greatest novel of adolescence in European literature.” In the U.S, it is usually translated as The Wanderer, a fitting title.Read More »

Dolores Del Rio plays the indigenous daughter of a prostitute, and nobody in her village will buy the flowers she sells because of her family’s sordid history. The corrupt racist local merchant whose lecherous advances she keeps turning down demands that she pay her debts in full by tomorrow or else he’ll take her beloved little piglet! It is one of two Mexican films ever to win the Palme d’Or (the other being Buñuel’s Viridiana).Read More »

Minne is a very imaginative young lady. She pretends to have had lovers and can’t think of anything better to do other than… to tell Antoine, her husband, the day she marries him. Bad beginning for the couple… As the marriage is not consummated for years, Minne feels frustrated and tries to find elsewhere the carnal knowledge she does not find at home. But Antoine is a kind-hearted man and on the occasion of a trip, a sexual balance is at last found between the two partners.
– Written by Guy BellingerRead More »

Quote:
Mr. Smith Goes to Washington (1939) is producer/director Frank Capra’s classic comedy-drama, and considered by many to be his greatest achievement in film (and reminiscent of his earlier film, Mr. Deeds Goes To Town (1936)). [In fact, the film project by Columbia was first announced as Mr. Deeds Goes to Washington starring Gary Cooper, in a role similar to his previous Longfellow Deeds character.]Read More »

Dorothy Arzner’s “The Wild Party” was a Clara Bow star vehicle and Paramount’s very first talking movie. Set in an all-girls’ school, the film has a routine, all-too familiar scenario, but it was fun to watch because of its leading lady.Read More »