Synopsis:
Filmmakers (and brothers) Albert and David Maysles follow four employees of a company that makes expensive, ornate, illustrated bibles as they attempt to sell the items door-to-door to less-than-interested customers, who are mainly poor or lower-middle-class Catholics with little money to spend on pretty Bibles.Read More »
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Movie company wants to shoot a science-fiction film using an Army barracks as location, and its soldiers as actors. Of course, the Commander doesn’t like it a bit, and persuades the crew to use a nearby haunted house instead. -imdb-Read More »
Vienna as a light, modern city and a place that encourages improvisation of the mind. The jobless Hans Schmidt and Ann Berger become true champions in the city. However, setbacks and false interpretations underlie their attempts at economic stability. Hans gets involved in a serious accident, which renders him unable to work. Anna alone can’t the bill for the taxi. The community helps her. Hans and Anna become a part of Socialist Vienna.Read More »
This much-discussed film was Kapoor’s first to feature his trademark Chaplinesque character “Raj/Raju” (“little Raj,” though the homage to Chaplin is less pronounced than in the sunnier SHRI 420), here a hapless “vagabond” (avaaraa) who, as the film opens, is on trial for the attempted murder of a pillar of society, Judge Raghunath (brilliantly played by Prithviraj Kapoor, R. K.’s real-life father). He is defended by a beautiful young lawyer, Rita (Nargis), an orphan who also happens to be the Judge’s ward. Read More »
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Hishakaku (Koji Tsuruta), a kyakubun (visitor) with the Kokin gang, frees his lover Otoyo (Junko Fuji) from a brothel run by boss Oyokota (Tatsuo Endo), accompanied by Miyagawa (Ken Takakura) and other Kokin gangsters — and consequently brawls with Oyokota’s gang. After killing several of Oyokota’s men, including a former anikibun (elder brother) who has betrayed him, Hishakaku flees, with the police in close pursuit, and takes refuge in a strange house. There, he encounters Kiratsune (Ryutaro Tatsumi), an old man who calmly invites him in, gives him sake, and advises him to give himself up. Struck by the nobility of the old man’s character and the sageness of his advice, Hishakaku does as he says.Read More »
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Following the gorgeous, seemingly liberated Adriana (Divorce Italian Style’s Stefania Sandrelli) as she chases her dreams in the Rome of La dolce vita, I Knew Her Well is at once a delightful immersion in the popular music and style of Italy in the sixties and a biting critique of its sexual politics and the culture of celebrity. Over a series of intimate episodes, just about every one featuring a different man, a new hairstyle, and an outfit to match, the unsung Italian master Antonio Pietrangeli, working from a script he cowrote with Ettore Scola, composes a deft, seriocomic character study that never strays from its complicated central figure. I Knew Her Well is a thrilling rediscovery, by turns funny, tragic, and altogether jaw-dropping.Read More »
Synopsis:
This ensemble piece recounts the lives of a family of farmers by interweaving several different storylines. Holding these stories together is the central figure of a young war widow torn between maintaining her independence and the necessity of remarrying. This is a familiar predicament for Naruse’s heroines, but the film represents a change of pace for the director in many other ways. For one thing, it is his first widescreen color film. Also, while the typical Naruse film takes place in the city, even if its characters often journey into the countryside, here the setting is resolutely rural. The result traces change in postwar Japan (another typical Naruse concern) from the point of view of the farming peasantry, as land reform and economic growth exacerbate the generation gap between restless youngsters and their tradition-bound elders.Read More »
Shocking and highly controversial at the time of release, The Snake Pit broke new ground in Hollywood cinema for its depiction of mental illness and its treatment.
Olivia de Havilland (Gone with the Wind; The Heiress), delivers an astounding performance as a young bride who suffers a breakdown and finds herself committed to an asylum.Read More »
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Based on the British TV serial by Nigel Kneale (who reportedly disliked the finished product), the film stars Brian Donlevy, repeating the role of Professor Quatermass. This time, the good professor must contend with a `meteor shower` which turns out to be a secret alien invasion. The extraterrestrials arrive on earth in rocklike vehicles, then take over the minds and nervous systems of earthlings, the better to go about their business undetected. Subliminally a cruel satire of British bureaucracy and obfuscation, Enemy from Space also works on a pure-horror level, building slowly and methodically to a powerhouse finale. For many years a `lost` film due to legal tangles, Enemy from Space has recently become available again on video and cable TV. – All Movie GuideRead More »