Classics

A college professor resigns in protest to the dismissal of student underground newspaper workers and later joins their “hippie movement” and becomes their “Messiah.”Read More »

A chemist finds his personal and professional life turned upside down when one of his chimpanzees finds the fountain of youth.Read More »

“Death is good” is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York’s bohemian Greenwich Village, where she uncovers a sinister shadow world of devil-worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman’s noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.Read More »

Behind the Mask is a typically virile Jack Holt vehicle, with the hero at one point shooting himself in the arm to establish an alibi! Holt plays a federal agent named Hart who has himself planted in jail as a convict to get the goods on a drug syndicate. Befriending small-time gangster Henderson (Boris Karloff), Hart follows the trail of clues to unmask the head of the syndicate, who turns out to be the supposedly respectable Dr. Steiner (Edward Van Sloan). In the rip-roaring climax, Steiner prepares to perform an “operation” on Hart, gleefully informing his victim that his chances for recovery are next to nil. Because of the presence of Boris Karloff and Edward Van Sloan in the cast, Behind the Mask was included in Screen Gems’ “Shock Theater” TV package, even though there’s nothing really horrific in the film.Read More »

Adaptations of three short stories by W. Somerset Maugham comprise this anthology film in which the celebrated author introduces each segment of the film in front of the camera.Read More »

Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and Vodou priests have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of ceremonial drums, the relentless pull toward death—the otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism.Read More »

Aspiring singer Susanne takes over for ham actor Viktor at a small cabaret in Berlin where he works a woman impersonator and per chance she’s discovered by an agent, who thinks, that she really is a man. She becomes famous, but her situation becomes troublesome, when she falls in love with Robert. imdb.Read More »

“In the streets behind the Ginza avenue, the boss of an hairdressing salon is found dead, killed by strangulation. The inspector in charge of the investigation questions one of the residents of the district, being aware at the same time of the rumours. They suspect Yoshio, a cafe employee, who was found at the hairdresser’s place 40 minutes after the crime. The young guy has something against him: he was judged in the past for involuntary homicide.Read More »

Shusei Tokuda’s starkly realistic novel about a poor girl pressed into becoming a geisha was forcefully adapted by Kaneto Shindo (Onibaba). When Ginko (Nobuko Otowa, Shindo’s wife) falls in love with one of her clients, she is handily rebuffed by the young man’s wealthy family, and left to wander from geisha house to geisha house.Read More »