Chris Marker

Pictures at an Exhibition by Chris Marker. Its title, like Sans Soleil, is taken from a piece by Modest Mussorgsky.Read More »

Review (taken from Turner Classic Movies)

Quote:
“This is the story of a man marked by an image of his childhood,” begins La Jetee (1962), one of the most instantly recognizable and acclaimed short films ever made. Using only still photographs, voiceover narration, sound effects and music, it tells the story of a World War III survivor whose vivid memories make him the subject of time travel experiments. In only one shot of the film–that of “the Woman” opening her eyes in the morning–does the image move. Through such deceptively simple means Chris Marker explores the paradoxes of time travel and, on a deeper philosophical level, the relationships between image and memory, and word and image.Read More »

Re-view 1: Memories of a Hyperstitional Practitioner
A review of a Chris Marker ‘event’? One is never enough. Not only because Chris Marker is, as we were told this weekend more than once, more than one. But also because re-viewing, seeing again, looking back is so integral to the Marker experience.
Chris Marker is a systematic con-fuser of fact and fiction, best known for La Jetee (1962) and Sans Soleil (1982), explorations of time, memory, images and revolution (terms whose contiguity – and near synonymy – is a consistent theme of his work). The form that Marker perfected in the rightly celebrated Sans Soleil has been called the ‘film-essay’, though this does little justice to the astonishing singularity of his theory-fictional time-travelogues, which conjoin politics, pop culture and ethnography in a breathtakingly lyrical but intellectually clear-eyed plane of consistency.
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Synopsis:
This is a documentary film by Chris Marker. It employs Marker’s standard rostrum camera technique, filming historic photographs and paintings of whales and the whaling trade. It also contains real-life footage of whaling and harpooning. Marker sides with the hunted mammals in this film and comments negatively on the clinical instrumental relativism of whaling.Read More »

Made as a series of 13 programmes about the influence of Greek culture in our society.

The Owl’s Heritage: Sequence

1. Symposium, or Accepted Ideas
2. Olympics, or Imaginary Greece
3. Democracy, or the City of Dreams
4. Nostalgia, or the Impossible Return
5. Amnesia, or History on the March
6. Mathematics, or the Empire Counts Back
7. Logomachy, or the Dialect of the Tribe
8. Music, or Inner Space
9. Cosmogony, or the Ways of the World
10. Mytholody, or Lies like Truth
11. Mysogyny, or the Snares of Desire
12. Tragedy, or the Illusion of Death
13. Philosophy, or the Triumph of the Owl
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