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Modern-day urban problems like unemployment and teenage depression come under the microscope. Husband and wife lose their jobs, and their daughter is under considerable stress studying for her college exams. Meanwhile, grandmother is having an unexpected romantic liaison. Will the family be able to pull together to solve their problems?Read More »
A girl strays into the dreamy deep sea world. In the deepest part of the sea, all secrets are hidden.Read More »
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A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, taken around Beijing, includes a cotton factory, older sections of the city, and a clinic where a Cesarean operation is performed, using acupuncture. The middle part visits the Red Flag canal and a collective farm in Henan, as well as the old city of Suzhou. The final part shows the port and industries of Shanghai, and ends with a stage presentation by Chinese acrobats.Read More »
An insightful, ironic look at the challenges and contradictions that young generations are facing in China, Wang Yao’s auspicious debut that welcomes a new voice into the firmament of local independent cinema and one that is poised to bridge the gap between engaged auteur cinema and lighter, yet socially relevant, comedies, aimed at a wider audienceRead More »
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The most daring and achieved of all the ‘illegal’ independent films made in China in the ’90s – and quite probably the last, since it prompted the Film Bureau to formally outlaw unauthorised production and confiscate the directors Zhang Yuan’s passport.Read More »
Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.Read More »
May 1960. Mount Everest, the second step under the cliff. The four members of the China Everest Climbing Commando are attacking the most difficult and most difficult “second step”. This is their fifth assault. The first four failures have cost them too much physical strength – …finally, the wind and snow stop the gap.Read More »
To describe documentarian Christine Choy as a bit of a live-wire would be like describing the national grid as a bit of an energy source. “How do I describe myself?” she asks, “Fuck you, you can’t describe me.” This sort of sparky response is what propels this debut feature from actor-turned-director Violet Columbus and Ben Klein as it flits between being a profile of Choy and her work and a consideration of what happened to the Chinese activists who were exiled in the wake of the Tiananmen Square massacre.Read More »
Tsering Woeser, the subject of Chinese filmmaker Zhu Rikun’s extraordinary documentary, is a Tibetan writer now based in Beijing. Through her writing and online voice, she has become one of the most eloquent voices on Tibet. Zhu Rikun’s sharply designed, formally innovative documentary is completely in Woeser’s own voice: Zhu alternates formally photographed scenes of Woeser reading excerpts from her secret government “dossier” (which she has somehow gained access to) with scenes of her speaking in her own soft but powerful, eloquent, passionate voice. Woeser’s moving account of her political awakening and current activism makes for a powerful document of a Tibetan woman finding her voice and insisting on her freedom to use it.
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