
A multi-image large-format film showcasing life in Ontario without narration and dialogue.Read More »

A multi-image large-format film showcasing life in Ontario without narration and dialogue.Read More »

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Reason over Passion is one of Joyce Wieland’s most renowned experimental films – a cross-country travelogue, political satire, modernist experiment – which embodies many of the themes recurrent in her rich, diverse and extensive oeuvre.Read More »

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A film on the Dare strike of the early 1970s. Hundreds of feet and legs, milling, marching and picketing with the word Solidarity superimposed on the screen. The soundtrack is an organizer’s speech on the labour situation. Like her films “Rat Life and Diet in North America,” “Pierre Vallieres” and “Reason Over Passion,” Solidarity combines a political awareness, an aesthetic viewpoint and a sense of humour unique in Wieland’s work.Read More »

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Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one day to dawn the next day.Read More »

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Depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.Read More »

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A&B IN ONTARIO was completed eighteen years after the original material was shot. After Frampton’s death, the film was assembled by Wieland into a cinematic dialogue in which the collaborators (in the spirit of the sixties) shoot each other with cameras.Read More »

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Set in 1918 Ontario, The Far Shore employs both melodramatic conventions and experimental formal strategies to tell the tale of Eulalie, a Quebecoise woman, and her love affair with Tom McLeod (a thinly veiled fictionalization of Canadian painter Tom Thomson).Read More »

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Karsh, 50, is a prominent businessman. Inconsolable since the death of his wife, he invents GraveTech, revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated. Karsh sets out to track down the perpetrators.Read More »

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In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and finally gathering together in a ball.Read More »