Asian

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Possessed of the same bloody fatalism that pulses through many a Korean crimer, and topped by Kim Yoon-suk’s star-making performance as a lowlife racing to save a woman’s life, “The Chaser” is a grisly serial-killer thriller that develops into a howl of outrage at the ineptitude of the system. Drawing both white-knuckle tension and moral anguish from a maddening succession of red herrings and wrong turns, Na Hong-jin’s The Chaser (Chugyeogja) “tells the story of a detective turned pimp who finds himself in trouble when several of his girls disappear without paying him.” The film was released in its native South Korea in February and was a good-sized hit.Read More »

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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented.
The following is his story:
In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi’s mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father’s debts.Read More »

Captain Inouye is a music lover and he taught his unit to sing. One of his soldiers, Mizushima, learned to play harp to accompany the chorus of his comrades, discovering a gift unknown to himself before war. The music will save the company when Japan surrenders but now the country and its soldiers has to split his spirit in two: either accept, either refuse… either live, either die… but the film finds even more subtle separations, as if receiving like the burman soil it begins and ends with all the scars and tugs of postwar Japan.Read More »

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In a big city, a wave of suicides catches fire. The modus operandi is always the same: the victims wildly stab themselves to death, cut their own throats and butcher themselves beyond recognition, without any apparent reason. The only thing the dead have in common is the phone number they call just before they perish at their own hand. Keiko, a crack policewoman, takes it upon herself to solve the case. Soon enough she reaches the conclusion that someone is entering the victims’ dreams and persuading them to take their own lives. She appeals to Kyoichi, a man known as a nightmare detective who can enter the dreams of others, to help. When Wakimaya, one of Keiko’s colleagues, falls victim to the killer, Keiko takes the risk and dials the number, though she knows that she may well be the next suicide on the list.Read More »

Russell Edwards at Variety:
Domestic violence gets a compelling once-over in Hong Kong vet Ann Hui’s “Night and Fog,” which rises above its low-budget limitations on the basis of its hot-button topic and stellar performances. Establishing an air of fatalism at the start, this is a distinctly grim companion piece to Hui’s 2008 pic, “The Way We Are,” which offered a more benign portrait of the same Hong Kong town. Hui’s home fanbase should ensure respectable B.O. upon release in May for a subject many would like swept under the carpet. Further afield, the pic will become a fixture of quality fest programs.Read More »

When a miner leaves his employers and treks out with his young son to become a migrant worker, he finds himself moving from one eerie landscape to another, intermittently followed (and photographed) by an enigmatic man in a clean, white suit, and eventually coming face-to-face with his inescapable destiny. Hiroshi Teshigahara’s debut feature and first collaboration with novelist Kobo Abe, Pitfall is many things: a mysterious, unsettling ghost story, a portrait of human alienation, and a compellingly surreal critique of soulless industry, shot in elegant black and white.Read More »

Consumed by jealousy, a woman takes an extreme step and undergoes surgery for a new face. Although her lover of 2 years misses her, he falls in love with the new face, not knowing it’s the same woman.Read More »

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This film depicts the delicate relationship between Keiko, who was born an illegitimate child and was regarded as a problem child at the mission school, and her teacher Mazaki, who understands her, and Hashimoto, a female teacher with whom he has a close relationship. One day, Keiko becomes pregnant, and rumors spread that the partner is Mazaki… A film that gave Toyoda Shiro the opportunity to show his talent in literary works. Later, the film was adapted by Kon Ichikawa, Katsumi Nishikawa, and Keisuke Kawasaki.Read More »

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Nine convicts escape from prison; most are convicted murders. They commandeer a van from a strip club. Their plan is to find a stash of counterfeit money that a deranged cell mate told them about, divide it, then part ways. They make it to the site where the money is supposed to be hidden, and then one by one, each seeks out the place he wants to be, a version of home, somewhere to connect. Will it end well for any of them?Read More »