Asian

From Wikipedia:
The Wedding Maidens (Chinese: 出嫁女; pinyin: Chūjià nǚ) is a 1990 Chinese drama film directed by Wang Jin. It was entered into the 17th Moscow International Film Festival where it won the Special Silver St. George.Read More »

A very rare ATG distributed Wakamatsu, starring Ken Yoshizawa and Rie Yokoyama as two pieces of a destructive love-triangle. Has all the usual Wakamatsu themes of politics, suicide and twisted love, as well as stylish Hideo Ito cinematography and great use of the more or less single set (a beach with an abandoned boat on it).Read More »

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It’s supposed to be a political critique of the japanese patriarchal family structure. The father wearing his military uniform is dominating his family sexually and violently. And while his daughter keeps saying that everything is normal, nothing is normal in this family.Read More »

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Nestled in the mid 90’s when Kurosawa was heavily involved in creating diptych crime stories such as “The Serpent’s Path” and “Eyes of the Spider” and especially his “Revenge” double feature, “Suit Yourself or Shoot Yourself” was filmed and released for the home video market in Japan. The idea, six variations of life surrounding two low level yakuza gophers, expound on Kurosawa’s fascination with subverting the same idea and story in a wildly divergent manner.Read More »

A landmark in Japanese cinema, The Far Road is the first feature film planned, produced, and directed as well as starred in by a woman, Sachiko Hidari. Inspired by her many years of work as an actress in the films of such illustrious directors as Heinosuke Gosho and Yasuzo Masumura (also represented in the current series), she uses a spare cinematic style to tell the story of a fight for human dignity: a living wage and job security in the face of mechanization of the railroads. The film was financed by the National Railways Workers Union, whose members, because they work for a “public corporation,” do not have the right to strike.
– BAMPFA (1979)Read More »

Two men get involved with a brother and sister that want to drive a local gang out of their neighborhood.Read More »

A version of the famous kabuki play Yotsuya Kaidan from 1981.Read More »

Plot summary:
Two friends from the city with contrasting beliefs about love take their annual holiday in the country. One is a “love ’em and leave ’em” philanderer, the other is waiting for Miss Right. Whilst Gopal (Premnath) callously uses and then discards Neela (Nimmi), the sensitive Pran (Raj Kapoor) finds the love of his life when he meets Reshma (Nargis). But for neither man will the the consequences of these meetings be without anguish.Read More »

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In Raj Kapoor’s own words, Aag is “the story of youth consumed by the desire for a brighter and more intense life.” Kewal and Nimmi are childhood sweethearts who share a passion for theatre. They promise each other that when they grow up, they will together start their own theatre company, an unfulfilled dream as Nimmi and her parents move to another town. Years later, two young men Rajan (Prem Nath) and Kewal (Raj Kapoor) revive an old theatre that closed down. One day, a young destitute girl (Nargis) comes to the theatre and begins to act in Kewal’s plays. Fascinated by her, Kewal names her Nimmi. But when he discovers that Rajan is also in love with her, he steps aside only to realize that Nimmi loves him….Aag was the debut of Raj Kapoor’s astounding career as one of Indian cinema’s most illustrious directors and was the first time Nargis and Raj Kapoor came together as a romantic on-screen couple.Read More »