Everybody wants to lead a good life such as Karm, a young farmer who foolishly believes in communion with spirits. Karm has been used by Boonma to fool the people off their money. Karm falls in love and then realizes that everything he has done was wrong. In the end Karm destroys those believes that he had created.Read More »
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Underwear maker designer Miki enjoys a free-spirited sex life. She doesn’t mind the existence of Tsujimoto, who has a reputation as a playboy. One day Miki confessed in her heart that her junior Noriko had fallen in love with Tsujimoto once in bed. Miki pretending to be calm, but her inner heart is not calm. After that, Miki attacks Tsujimoto several times, but he isn’t full, but the timing isn’t right. One night, as Miki was drinking outside, a man visited her roommate Yoko. Read More »
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Mr. Ueno, retired, lives alone; he talks to Maria, a maid-droid his parents brought from their factory decades ago. Maria became Ueno’s companion after his parents’ deaths, and now her battery is run down; there are no replacement parts. Meanwhile, Inspector Akagi and her police squad are looking for a serial rapist that may not be human; however, if it’s a robot, in harming people it would be disobeying Asimov’s rules of robotics. Akagi’s inquiry takes her to a droid factory run by Mr. X; he helps by explaining why host-droids, the male equivalent of a maid-droid, don’t sell. What will Ueno and Akagi learn about love and the nature of men and women?Read More »
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Based on a porno manga by Kosuke Miki and Tadashi Matsumori, this pair of short features follow the adventures of Yuki, who works in a Kyoto red-light district house of ill repute as a “tamawari,” or “virgin-breaker.” She’s the gal who gets first dibs on the new recruits to the brothel (some willing, some not), and it’s her job to break them in for future clients. In the slower sequel Yuki thinks she’s finally found love after some studly service, but as you might expected, things don’t quite turn out the way she expected…Read More »
Hisayasu Sato, known as one of the Four Heavenly Kings of Pinku Eiga, has been known from being one of the most complex and versatile filmmakers to come out of pink films and one of the few to shoot both straight and gay films. This one, probably his best known work along with Splatter: Naked Blood, is a sophisticated, dark, brooding erotic film that’s also a big tribute to Pasolini.Read More »
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The Locarno Film Festival is renowned for showing interesting, unconventional films, favoring fresh, undiscovered talent over established names. The two do occasionally mix: one example is Anthony Hopkins’ directorial debut Slipstream, a stream-of-consciousness satire that competed at the 2007 edition. It didn’t win anything, though: the prestigious Golden Leopard was picked up by Masahiro Kobayashi, who stunned critics and audiences with The Rebirth, a minimalistic character study of rare poignancy.Read More »
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Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.Read More »
The unexpected death of Fujishima Motoharu, president of a medium-sized firm, triggers a fierce battle over his estate inheritance among family members.Read More »
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A woman’s struggle for equality in Japan in the 1880s. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government. Eiko and Omoi are jailed because of a fire at a factory instigated by Chiyo, a servant girl from Eiko’s home in Okayama, who was sold to slavery. A few years later the 1889 constitution is proclaimed, Eiko, Omoi, and Chiyo are pardoned, and the Liberal Party is reinaugurated. However Omoi does not campaign for women’s rights. – imdbRead More »