Arthouse

PLOT: A Japanese man wakes up alone in a brightly illuminated white room with no windows or doors. When he presses a mysteriously phallic protuberance that appears on one wall, a pink toothbrush materializes from nowhere, clattering to the floor and setting in motion a genuinely bizarre chain of events. Soon the imprisoned man is engaged in absurd and hilarious attempts to escape the gleaming room, releasing random objects from the walls, creating a life sized mouse trap game in which a rope, a toilet plunger and an earthenware jug full of sushi might just be the keys to his escape. Meanwhile, in a dusty town, a green masked Mexican wrestler known as Escargot Man prepares for an important match. His family gathers around him, worried about his seeming impassivity before battle.Read More »

A wife escape from her husband in Hong Kong with is lover. The husband purchase her…Read More »

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Erwin Romulo, the best friend of the late film critic Alexis Tioseco, recalls the events after the critic and his girlfriend Nika Bohinc’s murder during a burglary in their home in Quezon City. Lav Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events.Read More »

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Tattooed Flower Vase stars the lovely Naomi Tani (often referred to as one of the “queens” of Japanese erotica) as a widowed doll maker named Michiyo with a beautiful daughter Takako (Takako Kitagawa). The two women live together in a sort of quiet solitude and appear to have an unusual bond with sexual undertones. When Michiyo is drugged and taken advantage of by a doll shop owner, her erotic passions are aroused and she begins to obsess over her past sexual experiences with a deceased Kabuki actor. Things get more complicated after Michiyo’s daughter is involved in a car accident with a handsome young man named Hideo, who ends up being the son of her dead lover. Both mother and daughter begin to vie for Hideo’s attention and as the story unfolds Michiyo becomes more and more aroused by her memories. Read More »

The Power of Kangwon Province traces, one after the other, the trajectories of a man and a woman traveling separately through the mountainous eastern province of South Korea known as Kangwon. Both have left Seoul for the weekend to get some perspective on their lives and to assuage a common sense of loss and loneliness. As they wander, the pair just misses crossing paths with each other. Their separate encounters, however, reveal to the spectator links between the two drifting characters. This resonant work firmly announces Hong’s fascination with chance, the tenuousness of connection and the ability of narrative cinema to orchestrate the two. – DP (Harvard Film Archive)Read More »

A husband and wife, drifting apart, reflect on the events leading up to the worst argument of their marriage.

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“It’s the rawness of the film that makes us believe we are unquestionably seeing the truth.”
Reviewed by Dennis Schwartz

A heavy going realistic slice of life domestic drama that is filmed in black and white. It’s a followup to Béla Tarr’s other domestic strife tales Family Nest and The Outsider. This one keys in on marital strife. It’s about a struggling young couple’s confrontations and their own inability to freely communicate with each other. Tarr was evidently influenced by the works of Ranier Werner Fassbinder and John Cassavettes.Read More »

We are in standing in the ‘Puszta’, our pants are flapping, … Kapa and Pepe… Pepe, would you have guessed that you will be a prisoner-of-war in your own country? … There are some, who dig the soul out of its body. But who is to find there? A National German SS, a Hungarian foot-soldier, a Jew with a yellow star, a gymnastorkha Russian and a NATO soldier ride a bicycle on the Chain-Bridge.

Wake Up, Mate, Don’t You Sleep! We lost the sheep with the bell. Jancsó in army uniform, Hernádi in a hat in front of the judges and then on a hospital bed, the T-34 Russian tank brings us Russian oranges and the feeding of fallen angels is strictly forbidden!Read More »

Exiled from the USSR, consummate film poet Tarkovsky poured his stirrings of homesickness into this spectrally beautiful, metaphysical exploration of spiritual isolation and Russian identity. While researching the turbulent life of a 17th-century composer in the perpetually mist-shrouded Tuscan countryside, a soul-sick Russian poet (Yankvosky) forms an unusual kinship with an apocalypse-obsessed local madman (Josephson). Tarkovsky evokes the textures of dreams and memories through ravishing monochrome and sepia-toned reveries and flashbacks, while conjuring the hushed and haunted tone of a trance in this late-career masterwork.Read More »

Throughout history, women have survived the stifling strictures of patriarchy by using their own codes of communication — be it intergenerational secrets, whisper networks or gestures legible only to other women. Several centuries ago, in Jiangyong County in southern China, women went a step further, inventing an entire language that they used to write songs, poetry and furtive missives to one another.

This fascinating language, Nushu, is the subject of the documentary “Hidden Letters,” though if you’re expecting an illuminating deep dive into its history, you’ll be disappointed. The director, Violet Du Feng, uses Nushu mostly as a cursory framing device for a broad portrait of gender relations in modern China, structured around the stories of two Nushu practitioners: a divorced museum guide, Xin Hu, and a soon-to-be-married musician, Simu Wu.Read More »