Arthouse

Follows Anne, a brilliant lawyer who lives with her husband Pierre and their daughters. Anne gradually engages in a passionate relationship with Theo, Pierre’s son from a previous marriage, putting her career and family life in danger.Read More »

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Miners discover that crucified Saint came back to life and lives among them. Shortly after celebrating his presence, they lose hope, ordinary man can’t protect them from misfortunes. Hopeless and frightened crowd crucifies the Saint again.Read More »

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Traveling through the abyss, underworld dog Rainer recounts the six lives of Conann, perpetually put to death by her own future, across eras, myths and ages. From her childhood, a slave of Sanja and her barbarian horde, to her accession to the summits of cruelty at the doors of our world.Read More »

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Godard’s documentation of late 1960s Western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of news media, the mediated image, a growing technocratic society, women’s liberation, the May revolt in France and the power of language. Cutting between three major scenes, including the Rolling Stones in the studio, the film is visually intercut with Eve Democracy (Wiazemsky) using graffiti which amalgamates organisations, corporations and ideologies.Read More »

A mysterious visitor (Kentucker Audley) spends the night at an apartment belonging to a young engaged couple (Sophia Takal and Lawrence Michael Levine) and their friend (Kate Lyn Sheil.) Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.Read More »

Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters’ life stories.Read More »

KatsuKanai wrote:
The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.Read More »

Plot:The film follows the journey of Lena and Meryem during their escape from the war in Syria. Lena is a ten-year-old girl who has lost her family in the war. She finds herself forced to make her way to Turkey with her baby sister and their neighbor Meryem, along with the other refugees. Lena wants to return home, while Meryem’s hope is to reach Europe.Read More »

Susumu Hani’s six-year-old daughter Mio plays an orphaned Japanese girl who, for some reason, ends up in Sardinia. She starts going to school, quickly learns Italian, and befriends a boy named Raphael. One of Hani’s stranger concepts for a film, made enjoyable by the great naturalistic acting that’s found in most of his work.Read More »