After a lavish dinner party, the guests find themselves mysteriously unable to leave the room… and over the next few days all the elaborate pretenses and facades that they’ve built up by virtue of their position in society collapse completely as they become reduced to living like animals…Read More »
From modernkoreancinema.com
The burden of expectation can sometimes be a heavy weight to bear and after a little too much of it, many films simply crumble. In 2009, an indie Korean film clocking in at three and a half hours began to make the rounds of the festival circuit and attracted some very positive attention. After a full year screening at various events it was finally accorded a domestic release in late December 2010 but, like the vast majority of independent features, it failed to find an audience in Korea. A number of people (myself included) patiently awaited its DVD release but it never came… until now. After premiering at the Busan Film Festival in October 2009, Café Noir was finally released on DVD in June 2012. While I can’t say exactly why the wait for the disc was so long, I can, to some extent, understand it.Read More »
Viridiana, a young novice about to take her final vows as a nun, accedes, moved purely by a sense of obligation, to a request from her widowed uncle to visit him. Stirred by her resemblance to his late wife, he attempts to seduce her and tragedy ensues. In the aftermath, Viridiana tries to assuage her guilt by creating a haven for the destitute folk who live around her uncle’s estate. But little good comes from these good intentions.Read More »
A Buddhist priest becomes also a magician, dedicating himself to the protection of life wherever it’s needed, whereupon he finds himself in direct service of the Queen. Political intrigue tightens around him as it is increasingly assumed that he harbors ulterior motives. Set in Japan’s Nara Era (710 – 794 A.D.), the story is loosely based on Mikado (Empress) Koken-Shotoku and Dokyo, a Yamabushi (mountain warrior monk who practices a rugged, intense form of Vajrayana Buddhism founded by his master, Do-en).Read More »
Armen is an employee of the State Archive, an irrepressible young man, who is not indifferent to the grief, injustice, and meanness of other’s. Armen feels responsible for solving these problems, even though they have no direct bearing on him.Read More »
In this artful film by 85-year old director Manoel de Oliveira, the heroine, instead of being powerless in the face of a world ruled by men, finds herself to be far too powerful. Beginning when she was a child, Ema (Leonor Silveira as an adult) had the kind of looks and manner that could stop cars when she came up to a street — or cause accidents. As time goes by, she explores her power over men and, as a mature woman, chooses to marry a man who has virtually no machismo so that she can continue having affairs and exploring this mysterious ability of hers. Eventually she seeks to transcend her unusual limitation and accomplishes her death with astonishing serenity. This haunting story is based on a novel by Agustina Bessa-Luis.Read More »
Plot : French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation’s other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man’s addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali’s latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings. Predictably enough, À Vot’ Bon Coeur received no funding from France’s National Cinema Center, though Vecchiali did have the nerve to submit the script. ~ Mark Deming, All Movie GuideRead More »
Scripted and directed by the writer of The Blood on Satan’s Claw, this eerie folklorish tale is set in 19th‑century Ireland amid an isolated rural community where poverty and superstition are rife. Maura (Mary Ryan), an introverted farm girl suspected of witchcraft, discovers a mystical world of the imagination through ‘a wild, ungodly man’ – the mysterious wanderer Scarf Michael (Mick Lally).
Billed on release as the first Irish feature film in half a century, but hardly seen in the past 40 years, this uniquely dreamlike directorial feature debut is presented in an acclaimed new 2K restoration by the Irish Film Institute.Read More »
Remember that classic 1985 music video for a-ha’s “Take On Me,” the one where that girl in the diner falls into an animated charcoal drawing? Since then, its director, Steve Barron, has had an eclectic career—he helmed the Teenage Mutant Ninja Turtles movie and produced While You Were Sleeping—but with Choking Man, his first independent film, he returns to his earliest preoccupations: cartoons and girls in restaurants. Choking Man takes place at a Queens diner randomly owned by none other than Mandy Patinkin, affecting a Greek accent. Jorge (Octavio Gomez Berrios), a sullen, greasy Ecuadorian dishwasher, is a modern-day invisible man who gives himself over to extravagant animated fantasies, but speaks no more than 30 words though the course of the movie. Meanwhile, his charming coworker Amy (Eugenia Yuan) is being courted by the boorish Jerry (Aaron Paul), which pleases him not a bit. Choking Man has a tepid plotline, some stilted dialogue, and way too many pointless shots of the subway rumbling overhead. But the tender and spirited performances of its diverse cast elevate Barron’s portrait of contemporary Queens life.Read More »