Quiet Tarkovskian drama about an old man who lives alone on a deserted island which the Soviet fighter planes use for nighttime target practicing. A young mute boy is sent from the mainland to keep him company. Both are haunted by memories, the boy about his mother and the old man about his younger days as a missionary in Africa.Read More »
“What were the beginnings of the new women’s movement like?”, “What was life like in a commune?”, “What were discussions like?” The Film reconstructs in 1980 events that took place between 1967 and 1970.
I was also always interested in what would have happened if certain people had acted differently, or not at all, at given points in time; that is to say, what influence do individuals, “the subjective factor”, actually have on historical events? Do people’s individualities encourage or inhibit each other? How do their activities affect the general public? In 1980 this was a very unpopular question.Read More »
In Japanese theater women’s roles are traditionally played by men. The man playing the woman’s role, the Onnagata, does not imitate the woman, as in the West, but tries to capture her significance. He need not stick close to his model, but draws far more from his own identity – a shift of value takes place, which is nonetheless not a step beyond.
THE WRITTEN FACE is an attempt to offer an insight into the Japanese Kabuki star Tamasaburo Bando, one of the last defenders of this ancient and disappearing performing tradition. The film consists of four continuous acts:Read More »
A love triangle through the four seasons. A young woman, living in a relationship, falls in love with a married man. If someone had told her that she in a few months should be the man’s mistress, she would become aggrieved and indignant. She was certainly not a woman who would mess with married men.Read More »
The Last Days of Jack Sheppard is based on the inferred prison encounters between the 18th century criminal Jack Sheppard and Daniel Defoe, ghostwriter of Sheppard’s ‘autobiography’. Set in the wake of the South Sea Bubble of 1720, Britain’s first financial crisis, the film is a critical costume drama constructed from a patchwork of historical, literary, and popular sources. It explores the connections between representation, speculation and the discourses of high and low culture that emerged in the early 18th century and remain relevant to the present day.Read More »
AMG: A very strange dream about a wealthy man preparing for death inspired director Daryush Shokof to make this off-beat and highly esoteric art film. Archie (Anthony Quinn) receives inner peace by being touched by people of four different racial groups. The film shows the five of them conducting daily activities as Quinn endures having their fingers in his nose and ears constantly for 10 days. Archie invites two old friends of his to be present at his death and reveals his secret for inner peace to them. The man goes off in a huff, but the woman stays around and finds her own enjoyment in the situation.Read More »
Lightning Over Water is a penetrating and touching film of the last days of cult American director Nicholas Ray, most well-known for Rebel Without a Cause.
.”I knew that he wanted to work, to die working”, Wim Wenders says in the movie. And through his work with Wenders and the crew, Ray transformed his dying into an act of collaboration and a work of art.
Dying slowly of terminal cancer, Ray chose not to institutionalize himself in a hospice and fade away in an old people’s home but stayed in his modest New York City loft, surrounded by his closest friends — a sharp and poignant contrast to the comparative luxury of his Hollywood years.Read More »
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With Don’t Come Knocking, Wim Wenders revisits territory, both literal and metaphorical, first explored in Paris, Texas. Not only does he return to the Southwest, but Sam Shepard is back as co-writer. This time, he’s also the star. His Howard Spence is a movie cowboy who’s had enough. One day while working in Monument Valley, he takes off his boots and hops a train to Nevada to see his mother (Eva Marie Saint, lovely as ever). Little does he know that Sutter (Tim Roth), a by-the-books bondsman, is hot on his trail. Next, Spence travels to Montana where a sad young woman named Sky (Sarah Polley) is recovering from a recent death, while an angry young man named Earl (Gabriel Mann), who sounds much like Chris Isaak, plies the troubadour trade. Spence doesn’t know it yet, but they’re the results of a rambunctious past that will soon “come knocking,” as it were. Read More »
A mysterious woman travels the world with a rocking chair, interacting with the people she meets.
Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”Read More »