Arthouse

Flight of the Red Balloon (Le Voyage du Ballon Rouge), first part in a new series of films produced by Musée d’Orsay, tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien’s first western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse. Flight of the Red Balloon is one of those movies where nothing much happens. It’s a simple, relatively peaceful film, notable in part because director Hou Hsao-Hsien is shooting outside Asia for the first time. Hou’s starting point–dictated by Paris’s Musee d’Orsay, which commissioned the film–is La Ballon Rouge, the 1956 Albert Lamorisse film about a little boy and his companion in the streets of Paris, a floating red balloon.Read More »

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In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man has become lonely. Disappointed by his fellow human beings, he turns to animals. Dogs and other domestic animals serve him as companions, life partners, cuddly objects and bedfellows.Read More »

Selva (13) lives in a coastal town in the Caribbean. After the sudden disappearance of her only motherly figure, she is left to take care of her grandfather who doesn’t want to live. Between shadows and wild games, she must decide if she will help her grandfather die, even though that means going through her last moments of childhood alone.

1 win & 10 nominations.Read More »

A young Russian woman asks a Red Army soldier to spend the night with her in the wake of the Nazi invasion. Fearing she may soon perish, the woman hopes for one night of romance before what could be a horrible demise. Black-and-white photography is mixed with color as moods change in the film. Women are captured and sent off to concentration camps or to work in brothels for the pleasure of the sadistic Germans. A Russian woman places a noose around her own neck rather than let a Nazi touch her. Some of the victims manage to escape and they try to return to their war-torn home in the Ukraine to join the defense.Read More »

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Director Lee Kwangmo took 10 years to complete Spring in My Hometown, a movie dealing with the Korean War period. The main plot is the life of a boy named Sungmin and his view of adults trying to continue life with what is remains after the Korean War. Rather than dealing with the historic facts of the Korean War itself, this movie depicts the emotions of the post-war generation during that time. Thus, the movie views the historic tragedy in a very contemplative, nostalgic way. The movie’s beautiful images explain why those days that everyone remembers as miserable, were in fact beautiful. Rather than a memory of the Korean War, Spring in My Hometown indirectly reflects the war through the memories of the post-war generation. Other Korean War movies opt to directly show painful experiences and suffering associated with the bloody conflict; in contrast, Spring in My Hometown shows the emotional side of this painful period through the filter of experience that is in the past. In that sense, this movie deals with history yet is not historic because the experience of the Korean War and its aftermath is still an ongoing situation. (Korean Film Archive)Read More »

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A desolate, restless small town lost in the industrial wastelands of Kyrgyzstan. Plagued by boredom, confusion and sex–all the usual agonies of adolescence–17 year-old “Chimp” (so-called because of his ears) and his friends are killing time by fighting, partying, and working in the railyard before undergoing their military service. Chimp has more than his share of problems: his pretty and capricious girlfriend causes him nothing but heartache, his father is a self-loathing chronic alcoholic, and his long-suffering mother has had enough. She leaves, taking Chimp’s kid sister with her.Read More »

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Breathtaking, poignant and mesmerizing, MANAKAMANA is a documentary shot entirely inside the narrow bubble of a cable car, high above a jungle in Nepal, as it transports villagers and tourists to an ancient mountaintop temple. Filmed in 16mm and comprised of 11 rides (each a single take corresponds to the length of a roll of film), MANAKAMANA is a tender, ephemeral character study of its passengers and a window onto the lush, rolling landscape of a country in transition from ancient tradition to modernity. This evocative and rigorously structured documentary presents a rich sensory experience that ignites the viewer’s imagination to fill in the past, present and future of each moment as they watch. The New York Film Festival calls it, “…an airborne version of an Andy Warhol screen test…an endlessly suggestive film that both describes and transcends the bounds of time and space.”Read More »

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Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert’s friend Emile. Still, these romantic worries go hand in hand with insatiable boredom. Through a delicate storyline and minimalist cinematic gestures, an ironic game of temporality is played. In this headstrong masterpiece, filmmaker Jean-Marie Buchet makes fun of cinematographic etiquette. La fugue de Suzanne is a rare gem in Belgian film history. Self-financed by the director, it creates an absurdistic reality with minimal cinematic gestures.Read More »

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Mikko Niskanen’s famous new wave film about the ’60s urban intellectuals who get faced in the Finnish countryside with loads of beer.Read More »