Quote:
A mild-mannered man whose nerves are shot from incessant noise is sent to an exclusive, silent retreat with hilarious results.Read More »
Animation
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Tex Avery – Sh-h-h-h-h-h (1955)
1951-1960AnimationShort FilmTex AveryUSA -
Oskar Fischinger – Motion Painting No. 1 (1947)
1941-1950AnimationExperimentalOskar FischingerUSAQuote:
This experimental film is a study of an abstract painting as it grows out of the mind and soul of the artist and filmmaker. Painstakingly hand-painted in a Impressionist pixel-point style over a period of 9 months (!), and equally laboriously stop-animated, Fischinger captures not only the wonderful decision-making process of the artist at work, but the “life” that the work itself takes on as it changes and grows. Use of color, patterns, and pacing compliment and clash with one another before the viewer’s eyes and lead one into an impossible world that seems none-the-less real, and all the more engaging for seeming to just be made of pure MAGIC!Read More » -
Oskar Fischinger – Studie Nr. 7 AKA Study No. 7 (1931)
1931-1940AnimationExperimentalGermanyOskar FischingerQuote:
Animated to the lively accompaniment of Brahms’ Hungarian Dance No. 5, and created using thousands of handmade black & white charcoal drawings, Fischinger’s delightfully dynamic short film sees dozens of white shapes dance, glide, shoot, and pop across a stark black background, leaving us transfixed in their wake.Read More » -
Oskar Fischinger – Studie Nr. 6 AKA Study No. 6 (1930)
1921-1930AnimationExperimentalGermanyOskar Fischinger
Quote.
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. – Hans Scheugl and Ernst Schmidt, Jr.Read More » -
Robert Breer – Bang! (1986)
1981-1990AnimationExperimentalRobert BreerUSAAn experimental film in which a photograph of an airplane turns into a wire diagram, then into an animated plane in flight, and then it explodes into words.Read More »
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Chuck Jones – Rabbit of Seville (1950)
1941-1950AnimationChuck JonesShort FilmUSAQuote:
Behind the Hollywood Bowl stage which is playing the opera, The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.Read More » -
Chuck Jones – Rabbit Fire (1951)
1951-1960AnimationChuck JonesClassicsUSAQuote:
Daffy Duck and Bugs argue back and forth whether it is duck season or rabbit season. The object of their arguments is hunter Elmer Fudd.Read More » -
Chuck Jones – Rabbit Seasoning (1952)
1951-1960AnimationChuck JonesClassicsUSAQuote:
Daffy Duck tricks Elmer Fudd into believing it’s rabbit season; but Bugs Bunny uses a female disguise and faulty pronouns to fight back.Read More » -
Chuck Jones – Duck! Rabbit, Duck! (1953)
1951-1960AnimationChuck JonesClassicsUSAQuote:
The final installment of the “Hunting Trilogy” once again has Elmer out hunting, while Bugs and Daffy try to con him into shooting the other.Read More »








