2021-2030

Three middle-aged friends reunite for the first time in years. Each of them sets out to confess unexpressed feelings, but their vacation takes a surprising turn when the undercurrent of their past lives threatens to resurface.Read More »

Gu Wentong, a middle-aged food critic, is drifting through the local eateries of vibrant Beijing with his younger photographer colleague Oyang. A divorcé with a 6-year-old daughter and estranged from his father for decades, he is looking for a new perspective on life while reconsidering his failings as a father, a son, and a lover. While the seasons come and go, people get together and move apart. Only one thing will remain the same: The White Pagoda where they all meet sooner or later.Read More »

Feeling unprepared for her upcoming role as a 15-year-old pregnant girl from the outskirts of Santo Domingo, an actor from a more affluent background, Camila, decides to sit down with pregnant young girls for inspiration. Yet in the process, as the sorority of 15 teens candidly recount their realities on-camera, little by little they unexpectedly influence the film’s production, taking it into unchartered territory.Read More »

Three young sisters are set apart by the eruption of Fogo.
But they sing.
One day we’ll know why we live and why we suffer…

Cannes Film FestivalRead More »

A incident happened on 1923 on the Great Kanto earthquake
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IMDb wrote:
In the chaotic days of the December 1989 revolution that overthrew the Communist regime, the Transylvanian city of Sibiu becomes the scene of a violent assault on a Police unit that quickly escalates into a bloody confrontation between soldiers, policemen, civilian protesters and representatives of the secret police. In a desperate attempt to escape the siege, Police captain Viorel is captured by the army and thrown into an empty swimming pool along with hundreds of prisoners accused of being terrorists.Read More »

James Gracey on Eye For Film wrote:
Based on a 19th century Gothic novella by Aleksey Tolstoy (previously adapted for cinema by Mario Bava as a segment in his 1963 anthology, Black Sabbath), The Vourdalak is the debut feature film from French writer-director Adrien Beau. It tells of the Marquis d’Urfé (Kacey Mottet Klein), an emissary of the King of France who seeks shelter with a family when he becomes lost travelling through Eastern Europe. The family are anxiously awaiting the return of their patriarch, Gorcha, who has gone to capture an outlaw. Before leaving, he forewarned his family that if he does not return within six days, he has been killed and, if he reappears, they must refuse him entry to the house as he has become a vourdalak; a walking corpse returned from the grave seeking the blood of its loved ones…Read More »

Golden Bear for Best Short Film / Berlinale, Berlin International Film Festival 2023

Asma and Sarah, two women originally from the Levant, find themselves working in the same restaurant in the city of Lyon in France. Both bear the weight of a home they were forced to leave behind. Initially wary of each other, they gradually discover a common thread that binds them – one that dates back to when the Silk Road connected Lyon to their home countries.
In the midst of forced migrations, can we move past our animosity to find solace in each other?Read More »

Synopsis:
The project originated from two novellas of J.-H. Rosny, the joint pseudonym of the Belgian brothers Boex who wrote on natural, prehistoric and speculative subjects—sci fi before it was a genre. The film takes up their pluralist vision of evolution, where imagining prehistory is inseparable from envisioning the future. Also central are Roger Caillois’ writing on stones, Robert Hazen’s theory of Mineral Evolution, Clarice Lispector’s Hour of the Star, the Symbiosis theory of Lynn Margulis, multi-species scenarios of Donna Haraway, Hazel Barton’s research on cave microbes and Marcia Bjørnerud’s thoughts on time literacy. In one way or another, these thinkers have all sought to displace humankind and human reason from the center of evolutionary processes. Passages from Rosny and interviews with Bjørnerud form the film’s science-fictional / science-factual spine. Stones are its anchor. To touch stone is to meet alien duration. We trust stone as archive, but we may as well write on water. In the end, it’s particles that remain.Read More »