2011-2020

*The official submission of Poland to the Best Foreign Language Film of the 85th Academy Awards 2013.

A new film by Waldemar Krzystek. Poland, Lower Silesia, the beginning of a very cold winter 1981. After the series of entrapments by the Security Service a confrontation between the opposition and the communists seems to be inevitable. Just before the proclamation of martial law a group of young Solidarity activists decide to play va banque and organize a rash action to take out 80 million of the Union money from one of the Wroclaw’s banks before the account would be blocked. Security Service officers follow their steps. It’s the beginning of a gripping tournament in which also priests and curb dealers will play their parts. Each side has aces up their sleeve.Read More »

After eloping to Istanbul to escape the objections of their families, Cemal (Serdar Orcin) and Ayse (Selen Uçer) are happy in their marriage. The only thing missing in their lives is the baby they would both like to have. Unable to get pregnant, they eventually consult a doctor, who reveals to Cemal that he’s infertile. Frustrated and ashamed, he embarks on a face-saving scheme to have Ayse fake a pregnancy, while they adopt a baby who will arrive nine months later. But when the baby does arrive, under dubious circumstances, Ayse finds herself unable to summon any maternal feeling whatsoever. As she and Cemal grow increasingly resentful of one another, the marriage begins to crumble under the strain and, appalled at the mess he’s made, Cemal flees. In this 2012 Sundance Special Jury Prize winner, set against the backdrop of a city with a thriving market in the human trafficking of children, director Rasit Çelikezer has created a complex and surprising exploration of what it means to be a parent.Read More »

Quote:
The peaceful cohabitation of bachelors Ender and Cetin is disrupted when they allow a friend’s sister to move in with them. The 30-something longtime friends are overwhelmed by the presence of the uncommunicative Nihal. What possessed them to accept the responsibility of a university student in their home? Especially a girl struggling with the trauma of recently losing her parents in a car accident. But simple daily rituals like sharing meals eventually bring the three roommates together for more pleasant moments. Nihal soon comes out of her depressed shell and the two men discover a vibrant beautiful young woman.Read More »

CRACKS
Directed by Jordan Scott
Produced by Kwesi Dickson, Julie Payne, Andrew Lowe, Christine Vachon & Rosalie Swedlin
Written by Caroline Court & Ben Ip, based on the novel by Sheila Kohler
Released by IFC Films
UK/Ireland/Spain/France/Switzerland. 107 min. Not Rated
With Eva Green, Juno Temple, María Valverde, Imogen Poots, Sinead Cusack, Ellie Nunn, Clementine Dugdale, Zoe Carroll & Adele McCann

Cracks is standard English period fare. Forbidding setting: check. Emotional repression: check. Beautiful costumes work: check. With all the items on the laundry list crossed off, there’s nothing much to do than to see if the story unfolds with either style or intrigue. Based on Shelia Kohler’s 1999 novel of the same name, Cracks examines the relationship between the charismatic young teacher Miss G (Eva Green) and her impressionable students in an all-girls English boarding school in the 1930s. A psychological thriller mixed with a coming-of-age story, director Jordan Scott’s first feature is The Children’s Hour meets Dead Poets Society, except creepier and with less quality.Read More »

Synopsis:
A temperamental old woman, her Cape Verdean maid and a neighbour devoted to social causes live on the same floor of a Lisbon apartment building. When the old lady dies, the other two learn of an episode from her past: a tale of love and crime set in an Africa straight from the world of adventure films.Read More »

Synopsis:
Lee Kang-do (Lee Jeong-jin) is a debt collector. If he shouldn’t get his money he doesn’t refrain from committing any atrocity. Therefore, he has already turned quite a few of his victims into cripples in order to get his hands on the insurance policy, and some of them even took their lives. But Kang-do’s world is completely turned upside down when one day a woman (Jo Min-soo) stands at his doorstep and claims to be his mother who left him alone after giving birth to him. The debt collector turns her away several times, but the woman is stubborn and wants to atone for her sins. Read More »

After one of their sons gets caught filming himself masturbating in school, Claire, who never opened up the conversation of sex with her three children, decides to encourage them to explore their sexuality freely and openly.
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Everyone seems to know what film noir is, but scholars and critics cannot agree on any definition. Some go so far as to insist that there is no such thing. What is Film Noir? claims that this confusion arises from the fact that film noir is both a genre and a period style, and as such is unique in the history of Hollywood. The genre, now known as “neo-noir,” continues into the present, while the period, which began in the early 1940s, had expired by 1960. William Park surveys the various theories of film noir, defines the genre, and explains how film noir relates to the style and the period in which it was created. The book corrects several common misconceptions: that film noir was an afterthought, that Hollywood was not conscious of what it was creating, and that film noir is too amorphous to be a genre. Park also provides a very useful theory of genre and how it relates to film study.Read More »

From IMDB:
Ramin Lomsadze, a 75-years old Georgian wrestler who once won seven matches in 55 seconds, is getting ready for the fight with his last and most formidable opponent – Loneliness. He gets on the train and sets off for a remote Georgian village to seek out the girl he loved and lost fifty years ago.Read More »