2011-2020

Quote:
There’s little doubt that, for the serious cinephile, the home video event of this fall will be the the release of Jacques Rivette’s magnum opus OUT 1 (1971) on blu-ray and DVD in three territories: Carlotta Films and Carlotta US will kick off on November 18 in France and the USA respectively, with Arrow Films in the UK following suit on November 30. All three dual-format editions will feature a brand-new Fiction Factory documentary: THE MYSTERIES OF PARIS: JACQUES RIVETTE’S »OUT 1« REVISITED, conceived and directed by Robert Fischer and Wilfried Reichart.Read More »

official site wrote:
Four couples struggle on the edge of mother Europe. In countries troubled by economic and social crises they stumble through life with charme, sex and plenty of passion. A movie about the politics of love. In Sevilla JUAN, 21, and CARO, 23, experience the wonder of a young love. However, Juan is without a plan for the life that lies ahead of him and she desperately needs one. SIOBHAN, aged 28, and TERRY, 23, live in Dublin. When they first met they have fallen for love and heroin like other young habitants of this cold weathered town. But now sober for some time, on their way to lead a common life, their passion seems to disappear. In Tallinn, close to the northeastern border of Europe, VERONIKA, a 29 year old go-go dancer, and her partner HARRI, 31, find themselves caught up in the toil of a patchwork family. Her oldest son proves to be a challenge for Veronikas confidence in Harri. She wants him to accept Artur as his own. Meanwhile in Thessaloniki, Greece, PENNY, 23, is about to leave her longtime lover NIKO, 33, to go to work in Italy. But how do you leave someone who loves you too much?Read More »

Synopsis:
Homo Sapiens is a film about the finiteness and fragility of human existence and the end of the industrial age, and what it means to be a human being. What will remain of our lives after we’re gone? Empty spaces, ruins, cities increasingly overgrown with vegetation, crumbling asphalt: the areas we currently inhabit, though humanity has disappeared. Now abandoned and decaying, gradually reclaimed by nature after being taken from it so long ago. Homo Sapiens is an ode to humanity as seen from a possible future scenario. It intends to sharpen our eyes for the here and now, and our consciousness of the present.Read More »

Ali and Zuhal take their first step out of the orphanage into this big world committing a crime. It becomes impossible for them to live amongst people now, and the forest they take shelter in becomes a desert island for them. A boy and a girl that were thrown out of the civilized world would live the entire human story from scratch.

Special Orizzonti Jury Prize
Venice Film Festival 2016Read More »

Synopsis
While researching locations for their 2009 film Noticias, documentary filmmakers Bettina Perut and Ivan Osnovikoff stumbled upon Salar de Surire, a salt flat in the Chilean Andes at an altitude of 4,000 meters (13,000 feet). “It was like being on the moon,” they explained in an interview. The vast, barren landscape and the thin mountain air left them feeling intensely alienated, and in Surire they make that sensation palpable. The long observational shots capture a desolate landscape in which human life at first seems to play only a marginal role. But the camera challenges this first impression, focusing on the wealth of flora and fauna in the foreground, while off in the distance a colorful convoy of transporter trucks takes away the salt – which, despite Salar de Surire’s protected status, is mined with the approval of the authorities. Perut and Osnovikoff document this disappearing world using their characteristic and highly articulate visual idiom, particularly recognizable for its grand wide shots and the pin-sharp extreme close-ups. The last original inhabitants of the region look on in resignation from a distance at the exploitation of their habitat. Meanwhile, they tend to their llamas, subject the dog to a risky-looking trim and prepare for a trip into town.Read More »

Synopsis:
A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.Read More »

Quote:
The world of Claire Denis’s Bastards is one of nightmarish inversion, where compassion has no place and connection only breeds despair. Structured around the fracturing of two family units, one irreparably shattered, one holding firm despite intense pressure, it imagines life as a steady succession of denials, duty waging a futile struggle against desire. In this reckoning every image grows twisted, the seductive mirage of a naked woman in high heels soon tarnished by the blood trickling down her legs. Conditioning the audience to find dread in every seemingly innocent gesture, the film turns even the simplest touch between family members into something tinged with menace.Read More »

The non-fiction author Walter falls for the physics student Agnes. He is fascinated by her extreme attitude towards life and her reserved appearance, which is quite the opposite of his quiet and regular life. When Agnes encourages him to follow his passion for writing fiction, he starts to work on a book, a portrait of how he sees her.Read More »

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Argentine director Carlos Jaureguialzo offers a fine take on the challenge with Matrimonio (Marriage), which will have its world premiere at the Miami International Film Festival this Sunday. By focusing on a day in the life of one weary couple he and screenwriter Marcela Silva y Nasute reveal a sometimes grim, often humorous, and ultimately affirming observation of aged love.

Esteban (Darío Grandinetti) and Molly (Cecilia Roth) have been married for over 20 years, and they clearly seem worn out. The film opens with a montage covering the detritus of this couple’s Buenos Aires apartment and, by extension, their life together. Everything is shown in super close-up: details of photos in picture frames, the water-stains on the edges of drying glasses in the kitchen, the top of a perfume bottle and the face of Esteban, staring up at the ceiling, waiting to get up in the morning to face the day.Read More »