2011-2020

One of Brazil’s most internationally famous and most important performance companies, Teatro Oficina began its life in 1958 as an amateur company of students from the law school at Largo de São Francisco in São Paulo, adopting the name Associação Teat(r)0 Uzyna Uzona in 1971. Led by Zé Celso, the company set out to create a theatrical form radically different from the elitist and nationalist theatre companies of the day.

Housed in an extraordinary theatre space in central São Paulo designed by visionary architect Lina Bo Bardi, the company continues to produce some of Brazil’s most exciting and radical theatre work.Read More »

A film about truth and lies or “alternative facts”. About individual and collective consciousness.  

“Waldheim no, Waldheim no” shouts a crowd in the center of Vienna in 1986. Ruth Beckermann was one of the activists trying to prevent the election of Kurt Waldheim and documented the political events with her camera. More than 30 years later she goes back into her own archive and additionally uses international TV-material to analyse this turning point in Austrian political culture. Read More »

A large, somewhat dilapidated house in the country. Although Niki, a doctor living and working in Munich, manages to arrive at his father’s deathbed just in time, the man who spawned him fails to give him the belated acknowledgement and love for which he so longs. Shortly after the father dies, his other grownup children arrive. These include Vito, an extrovert, and idealistic drifter; Mizzi, who is much younger and suffers from a neurophysical disorder and – although nobody expected it, even Kyra, who is the product of the father’s heady days of alternative living and free love. Niki and Vito haven’t seen this sister since their parents’ acrimonious separation twenty-three years ago.Read More »

Quote:
Colin has a very pleasant life: he is rich, he loves the food his cook makes (Nicolas), he loves his pianocktail (contraction of piano and cocktail, a word invented by Vian) and his friend Chick. One day while having lunch with Chick, Chick tells him that he met a girl named Alise with whom he has a common passion: the writer Jean-Sol Partre (an spoonerism of Jean-Paul Sartre who was Boris Vian´s friend). Colin meets Chloe at a party Chick invited him to. They fall in love, marry, but Chloe becomes ill during their honeymoon. As time passes, Chloe’s condition deteriorates while the relationship between Chick and Alise turns sour …Read More »

Synopsis:
Centaur is a quiet, small and modest man, a loving father of a little boy that has never spoken a word and the husband of young, deaf-mute Maripa. Together they lead a simple life in a small village of Kyrgyzstan. Centaur is above all a respected man among his neighbors, a man beyond any suspicion, but he has a belief deeply rooted inside him. He still believes that Kyrgyz people once united and invincible thanks to their horses, have been punished by Heavens for misusing that power to achieve their mercenary goals; Beyond any suspicion, Centaur becomes a horse thief, as he thinks only a genuine racer riding at night and praying for forgiveness can write off the curse. But his well-hidden secret cannot be kept for long. When the truth shines, he will need to decide the destiny of his family, co-villagers and his own.Read More »

Quote:
“MDMA is a one-shot experiment that begins with Lin and Boyle taking the titular drug and, in what appears to be an unedited two-hour shot, meander around Manhattan, getting lost on the subway and ending up giving each other a sarcastically ironic interview while on the ferris wheel inside Times Square’s Toys ‘R Us.”Read More »

Quote:
“Tao Lin and Megan Boyle follow 17-year-old fashion blogger Bebe Zeva around Las Vegas for a night and film it on a MacBook.”
“In the film, which took one night to film and 24 hours to edit, Tao Lin and Megan Boyle follow Zeva around her home city of Las Vegas. Zeva plays the part of compliant diva, welcoming them into her lavish condo then taking them through casinos, malls and Planet Hollywood as she’s filmed by Lin and Boyle with a MacBook while they ask her questions like, “How many Twitter followers does the toilet have?” “Would you rather weigh 500 pounds or not have two arms?” “Who has the best internet nose?” Sometimes you can’t hear what they’re saying. Sometimes there are jarring sounds as if the MacBook hit a wall accidentally.Read More »

Quote:
Young married couple Tim and Lee have planted the seeds of a family in their East L.A. duplex. Three years after the birth of their son, they’re still adjusting to the joy and pain of life with kid, navigating potty talk at the dinner table, disagreeing over preschools, and putting off doing their taxes. For a change of pace, they decide to house-sit for one of Lee’s Westside yoga clients. Once there, Tim discovers something suspicious in the yard that gets the wheels in his head turning, and Lee, worried that he will become obsessed with digging deeper, decides to drop their toddler off with her mother for a much-needed night out on the town. Sans-wife, Tim invites his buddies over, and a “boys-will-be-boys” scenario ensues, full of drinking, awkward joint-passing, and perhaps getting a bit too close to a girl who isn’t the mother of his child.Read More »

Quote:
The “elefante blanco” (white elephant) in Pablo Trapero’s eponymous film is the phantasmagorical structure of what was to be Latin America’s biggest hospital, construction of which was approved in 1937 and started in 1938. In line with Argentina’s sociopolitical upheaval, the project was never completed and is now home to thousands of outcasts who live among rubble, rats, pollution, illness, crime, deadly drug lords’ feuds.
Trapero’s Elefante blanco, focusing on the painstaking work of two shanty-town priests and a social worker, is a trip through urban hell. Contrary to the barrage of political harangue we are subjected to on a daily basis, Elefante blanco lays out the bare facts: a Third World country playing welfare state but in reality struggling to stay afloat. No other aborted social project could make such a visible, powerful impact as the elefante blanco, palpable proof that not everyone is given the same possibilities to attain social mobility and think ahead to a better future.Read More »