2011-2020

“How Can I Ever Be Late” takes the tarmac arrival of Sly and the Family Stone as a point of departure: African American students of the University of Virginia greet the band at the airport in 1973.Read More »

Thriller set in the world of Forensic Pathology. Coroner Paul Herzfeld finds a capsule in the head of a heavily mutilated corpse, containing a phone number and single word: the name of his daughter.Read More »

On a tobacco plantation, Ernesto and Helena, who have been married for several years, receive a visit from Joaquín, her cousin, who has just come out of rehabilitation and creates a love triangle situation.Read More »

via letterboxd:
Two years ago, Ryuji Kazama, an executive from the Daido-gumi, fought to rescue his brother-in-arms, Fujinami, who had been kidnapped by the Hanamura-kai. After completing his sentence, Ryuji returns to society, only to find that the organization has changed. His former junior members are now under other executives, with Wakagashira Saeki expanding his power. Ryuji’s only remaining junior is Tatsuya. As the next leader of the group is being discussed, attention turns to the power struggle between the cunning Wakagashira Saeki and the old-school fighter Ryuji. Saeki’s schemes begin to surface. Is he colluding with Okabe, an executive from the rival Hanamura-kai? The conflict between Ryuji and Saeki intensifies, and Ryuji, a yakuza who values honor, must decide his path.Read More »

The “River” is symbolized emotion and the “Castle” is symbolized crisis, distinction and liberation. When the film liberates its original contact by physically weaving it and printing through dense chemistry, the malted lights speaks this transformation.

The film was discovered from some leftovers in the lab (Klubvizija, Croatia). Though reprinting it with a DIY printing foundation, the lights behinds this small section poured out of its frames and expressed symbolic meanings.Read More »

High-school student Chiyoko is overcome with despair after losing both her mother and her pet dog. Her mother liked Fellini’s film, “La Strada”, and her efforts to watch it bring her in contact with a former fellow film studies student named Masamune. Chiyoko and Masamune go on a journey, bound for the ocean.Read More »

Quote:
After my first documentary Self-portrait with Three Women, my second self-portrait was painted in a village named 47 KM. This village, located 47 kilometres from Suizhou, Hubei Province, is where my father was born. He left the village when he was 20, but his father, my grandfather, still lives there. In the summer and winter of 2010, through my participation in the Folk Memory Project, I went back to the village, which seems disconnected from my current life, and re-discovered and came to better understand my grandfather, the old villagers who underwent the disaster of the famine 50 years ago, as well as the village, which always perplexed and embarrassed me. What does 47 KM really mean to me? It seems to be like a mirror, I see myself in front of it.Read More »

Quote:
A desperate fisherman and a naive young man embark on a dangerous journey trafficking drugs up the Pacific coast of Colombia. Hidden beneath the waves, they tow a narco-torpedo filled with millions of dollars worth of cocaine. Together they must brave the war-torn region while navigating the growing tension between them.Read More »

Synopsis
Haru and Reo perform as musical duo Haru-Reo. With their indie music, they suddenly get popular. Even with their newfound success, they decide to disband the duo. Haru-Reo go on one last tour together. Their roadie Shima goes with the girls on the tour. Reo has feelings for Shima, but Shima has feelings for Haru. And Haru has feelings for Reo.Read More »