2011-2020

In an isolated Lebanese village, the mosque and the church stand side by side–but religious tension threatens to boil over, particularly as a series of pranks escalates into ever-increasing hostility. The women of the village, both Christian and Muslim, concoct improbable schemes to defuse the tension, including hiring a troupe of Ukrainian belly dancers. Where Do We Go Now? veers back and forth between wrenching drama and cheerful comedy but somehow maintains a balance. Director-actress Nadine Labaki leads her mostly nonprofessional cast with heart and fervor.Read More »

Polley’s Take This Waltz is a follow-up to her critically successful film Away from Her. The movie is about a love-triangle concerning a woman who realizes that she may be addicted to the honeymoon phase of her relationships. The problem? She’s been married for five years. She meets a man named Seth on a business trip and finds out that Seth lives in the same neighborhood. Fancy that! A little flirting leads to a little something else, and suddenly, you’ve got yourself a full-blown life crisis on your handsRead More »

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think – but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.Read More »

Slant Magazine wrote:
Wadjda, a film about the oppression and long-imposed inferiority of women in Saudi Arabia, even begins with a downward-tilted, condescending gaze, offering an opening shot of school girls’ feet. One pair is notably different from the others, sporting purple-laced Chuck Taylors instead of the uniform-y patent-leather slip-ons. These, of course, are the feet of the 10-year-old title character (Waad Mohammed), whose rebellious nature is immediately, ham-handedly underlined as a rally cry for all Saudi women. Reluctant to sing in a choral-type lesson among her tuneful classmates, Wadjda is quiet and unengaged, to which an instructor reacts with, “What’s the matter, Wadjda? You don’t want us to hear your voice?” Cut to Wadjda inside her bedroom full of Western-pop-culture décor, listening to Grouplove’s “Tongue Tied.”Read More »

The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people’s opinions. Larysa’s mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom?Read More »

One year in the life of a family of reindeer herders in Finnish Lapland. Jessica Oreck’s intimate, gorgeously lensed documentary follows brothers Aarne and Lasse Aatsinki. The film is a study of hard work, hard earned leisure, and the intricate bond between man and nature that makes up life above the Arctic Circle.Read More »

Synopsis:
The story centers on a young gigolo, Bertrand Valade who steals the manuscript of a dying client. After a year, becomes a playwright and is now living in a decked-out Parisian apartment. The only problem is that his producer, Regis Grant has been waiting impatiently for a new play which the imposter Bertrand is somehow supposed to write. When Bertrand shows up for a rehearsal of his hit play, which is now touring the provinces, he crosses paths with a high-class call girl, Eva who quickly becomes an obsession that will ruin his life.Read More »

Quote:
1958. Rose is a terrible secretary but a demon typist. Her handsome boss resolves to turn her into the fastest girl in the world.Read More »

Wu is in her mid-twenties and lives with her mother in a traditional one-story house in one of Beijing’s hutongs. Both consider themselves to be writers, but success has so far eluded them. The fact that Wu is supported by a divorced, elderly man helps the women through lean periods. Their unhealthily close relationship is characterized by reproaches and quibbling; only during meals do they appear to lay down their verbal weapons. The situation escalates when both Wu and her mother hit an emotional low.Read More »