This is the story of Emoş Gülver, one of hundreds of women who decided to search for their roots after seeing the 2010 documentary “İki Tutam Saç: Dersim’in Kayıp Kızları” (Two Locks of Hair: The Lost Girls of Dersim), which recounted the stories of little girls who were separated from their parents in the late 1930s during a state intervention against the Dersim revolt in Tunceli.Read More »
Ryota, a timid salaryman who has difficulties fitting in at home and work has his average life changed after his estranged father falls ill. Along with his wife Sae and their only child Moe, he travels to his father’s country town, where he begins to uncover his father’s mysterious past spent searching for a mythical creature.Read More »
Elizabeth Price won the 2012 Turner Prize for this piece.
“The Woolworths Choir of 1979 is a three-part video that weaves together distinct bodies of material: photographs of church architecture, internet clips of pop performances and news footage of a deadly fire in a Woolworths furniture store in 1979.”Read More »
Documentary on psychedelic potash mines, expansive concrete seawalls, mammoth industrial machines, and other examples of humanity’s massive, destructive reengineering of the planet.
The Anthropocene Project is a unique multidisciplinary investigation including a feature documentary from acclaimed filmmaking team Jennifer Baichwal, Nick de Pencier (Mercury Films) and Edward Burtynsky, marking the third in the trilogy following Manufactured Landscapes and Watermark.Read More »
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Etienne, a serious and impressionable shaggy-haired young cinephile, leaves behind his steady girlfriend in Lyon to study film in Paris. Settling into a dingy flat with a rotating cast of roommates, he immerses himself in a bohemian world of artists, intellectuals, and fellow film geeks who excitedly share their passion for Bresson, Ford, and obscure Russian directors.Read More »
A couple deals with the aftermath of an adoption that goes awry as their household falls apart.Read More »
The idea is simple: A married woman and a single man meet. They love, they argue, fists fly. A dog strays between town and country. The seasons pass. The man and woman meet again. The dog finds itself between them. The other is in one, the one is in the other and they are three. The former husband shatters everything. A second film begins: the same as the first, and yet not. From the human race we pass to metaphor. This ends in barking and a baby’s cries. Read More »
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Shortly after Muzamil was born, the village’s holy man predicts that he will die at age 20. Muzamil’s father can’t stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.Read More »
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Gabe Klinger’s Porto deals with the post-one-night-stand fallout between an American drifter working abroad, Jake (Anton Yelchin), and a forlorn French woman, Mati (Lucie Lucas). Less a city symphony than a muted impressionist painting of urban drifting, the film takes place within the shadowy side streets, modest corner bars, and nondescript 24-hour diners of the eponymous northwest Portuguese city, where Jake is burning time as a manual laborer and flannel-clad somnambulist. Wandering one night, Jake spots Mati and strikes up an exchange, which leads to a charged evening that gets played and replayed throughout the film, each time at slightly greater length and with a different emotional inflection. Stitching these sense memories together are jazz piano-backed montages of a disappointed Jake stumbling around their earlier haunts as though in a Resnais-like time loop.Read More »