2011-2020

A young girl seeks out imaginative ways to cope with the death of her twin brother.Read More »

One day, the painter and photographer, Ali Arif Ersen, is suddenly struck down with locked-in syndrome and finds himself imprisoned in his own body. Despite being bedridden, Ersen discovers ways to embrace life through his passion for art and creating.Read More »

Autotranslated description:
Impressions from the American Independence Day celebrations in Butte, Montana: evening mood, American flag on the veranda, barbecue, firecrackers, fireworks. A quote from Donald Trump: “Marxists, anarchists, troublemakers and looters destroy our statues, erase our history, indoctrinate our children and trample our freedom. Your goal is no better America, your goal is the end of America. ”A short, to-the-point comment.
(Mara Rusch)Read More »

Quote:
The artist David Wojnarowicz escaped one American hellscape to find himself smack-dab in the middle of another. In a 1985 short film he made with Richard Kern, “You Killed Me First,” Wojnarowicz, then in his early 30s, portrays a version of his own alcoholic, abusive father. The grindhouse-style underground movie depicts a real event — that father feeding his children’s pet rabbit to them for dinner.Read More »

At 76, Swedish auteur Roy Andersson is about to complete his last film. With the end of his career in sight, the central thematic concerns of Roy’s work – vulnerability, insecurity and mortality – spill over into his creative process. Over the course of a career spanning decades, he’s remained enigmatic and reclusive… until now.Read More »

Storyline
A sequel to Romanian cinema’s best-known family saga, The Moromete Family (1987), the film continues the tale of Ilie Moromete and his family, this time focusing on his youngest son, Niculae. The entire world order of the village, where the most important thing is to own land and live as a peasant, changes with the Communist regime and their collectivization. The years 1945 to 1946 find Ilie Moromete aging, but still healthy. There are tensions between him and his second wife Catrina and Ilie’s children from his first marriage. Niculae is the only one of the children who has gone to school. He’s finished three high school years and stopped before the final year, because of the lack of money. What he wants most in this world is to finish his studies. He becomes a journalist and novelist and writes about the changing times he’s seen. — IMDBRead More »

A computer teacher, his black-magician grandfather and a cyber-creature—a series of pre-destined rendezvous, both online and offline, over the shreds of mnemonic time and space, at the cleavages of various parlors of subculture—finally the narrative images of the computer screen are drained off from the color and the texture, the images collapse down to a mere pulsating pixel, potentially to start another cycle of the story once again.Read More »

Ana tells Boris, “I need time.” Boris is confused. Time? A period of separation? What does Ana mean? Does ‘time’ mean a week, a month, a year, or ten years? All at once, Boris is alone. Things are pretty tough for Boris whose problems begin the moment he tries to organise his everyday life. Boris knows that planning, organisation and appointments are as important as taking one’s relationship seriously – but how on earth is he to manage all that?
Boris decides to buy his first car. His baby blue second-hand Romanian-built car is a dead ringer for a Renault 6. In fact, rather like the car’s owner, it’s somewhat conspicuous at first glance, but perfectly normal underneath. After a while and on closer inspection however, characteristics begin to emerge that nobody would have suspected; traits that could make it difficult to envisage a harmonious life together. Boris starts meeting people. A classmate introduces him to a circle of friends that end up confusing him. But then, Boris is invited to Uruguay to spend New Year’s Eve with friends in Montevideo. He climbs into his blue Tokha and sets off, but when he arrives in Montevideo there’s nobody at home, and when he calls all he gets is an answering machine message.
Rodrigo Moreno’s UN MUNDO MISTERIOSO tells the story of a likeable oddball moving through a paralysed society threatened by economic ruin.Read More »

Quote:
It’s winter and 22-year-old Muzi has returned to her home town of Hangzhou for a visit, a new year is around the corner. Her parents are long since separated, her father has a wife and young daughter and her mother is dating, though the old family apartment is still furnished as was. Muzi befriends an older bar owner and her university boyfriend comes looking for her, although no relationships here are straightforward. It takes time to work out how everyone connects to Muzi anyway, there are no explanations or introductions and one scene can shift into another without warning, creating ellipses along the way; it’s less about telling a story than capturing a mood, the same sense of melancholy stasis that settles even over the sudden outbursts of feeling. Yet the camera is always active, eagerly seeking out unusual perspectives and subjective impressions: the damp rock in the vast underground cavern, the lights in the winding corridor of the karaoke bar, the mist that forms by the river at night, the texture of pubic hair in bathwater. In black and white, the urban spaces seem even emptier; when the black and white is inverted, the city looks like a far-of planet and maybe that’s the point. “Every time I come back, it’s more different than before.”Read More »