Carter Page III (Harrelson), a middle-aged gay man in Washington, D. C., is a “walker”, a single man who escorts other men’s wives to social events so the husbands do not have to. One of the women he escorts, Lynn Lockner (Scott Thomas), is the wife of a United States senator and is carrying on an affair with a lobbyist. When she finds the lobbyist murdered, she embroils Carter in an investigation that leads to the highest levels of the federal government.Read More »
Since his early masterpiece Pain In The Arse [L’emmerdeur, as writer, 1973; remade as director, 2008], Francis Veber, primarily as writer, occasionally as director, has been the genius behind many of the funniest French comedies and filmed farces of the last four decades, including such cheeky pleasures as La cage aux folles, Three Fugitives, and Le dîner de cons. His stock-in-trade is PC-tickling, broad knockabout, duo- or trio-based character comedy tied to tightly-scripted narratives, spot-on timing and slaying reaction shots. These are all present and correct in his highly enjoyable Paris-set latest, a criminal caper that harps back in many ways to that first triumph, this time with cow-eyed Jean Reno and strawberry-nosed Gérard Depardieu as the hard man/idiot couple playing off each other with the same delicious stupidity as did Lino Ventura and Jacques Brel 30-odd years ago. Okay, Tai-toi! isn’t exactly sophisticated entertainment: if you don’t find Depardieu’s electric-shock hairdo funny, you’ll probably hate it. Among the excellent support, Richard Berry gives good deadpan as the police commissaire and André Dussollier is superb as the prison psychiatrist who unwittingly unites the fifth arrondissement’s sharpest, most silent, criminal brain with its dumbest, most talkative ox. — Wally Hammond, Time Out LondonRead More »
A young scientist experiments on himself with an invisibility serum. The serum is successful and the scientist wreaks murderous revenge on his enemies – but can’t stop there.Read More »
In Iran and Iraq’s postwar years, when Iraq bombs its Kurdistan, an old Iranian Kurd singer, accompanied by his musician sons, start searching for his ex-wife Hanareh. Hanareh, a women singer, has gone to Kurdistan in Iraq. The film is the story of the band’s journey, joined with their music. It is the story of a nation that has always been wandering. Being so used to war, they take it as a game and with their music they celebrate life.Read More »
South Korea in 1986 under the military dictatorship: Two rural cops and a special detective from the capital investigate a series of brutal rape murders. Their rude measures become more desperate with each new corpse found. Based on a true case.Read More »
Synopsis A biographical drama film about Kurt Josef Waldheim, former UN Secretary General and the controversy of his participation and role in the Nazi regime during WW II .Read More »
A young mother caught up in an uncontrollable spiral of passion after meeting a stranger abandons everything and leaves Paris. Clemence lives a happy but predictable life with daughter and husband-to-be in a sleepy town somewhere in the Auvergne. Then one day, she meets Camille, a man who turns her life upside down.Read More »
Interviews with central members of early Norwegian black metal bands about Mayhem, the early black metal scene and the crimes they committed.Read More »
Synopsis The My Road series—Scarlet Road (2002), White Road (2003), Indigo Road (2006), and the most recent instalment Lemon Road (2008)—can be read as meditations on loss and mourning. These poetic films tell their story through motif, character expression, music and montage and require repeated viewing for one to absorb the subtly evoked layers of meaning.