2001-2010

A woman tries to extort money, using a young boy as bait.Read More »

Small-time crooner find himself on the receiving end of the threatening attentions of a gangster, whose wife has fallen for the singer’s Sinatra-like aura.Read More »

The Buddhist concept of reincarnation, while both mysterious and enchanting, is hard for most westerners to grasp. UNMISTAKEN CHILD follows the four-year search for the reincarnation of Lama Konchog, a world-renowned Tibetan master who passed away in 2001 at age 84. The Dalai Lama charges the deceased monk’s devoted disciple, Tenzin Zopa (who had been in his service since the age of seven), to search for his master’s reincarnation.Read More »

Quote:
KOCHUU is a visually stunning film about modern Japanese architecture, its roots in the Japanese tradition, and its impact on the Nordic building tradition. Winding its way through visions of the future and traditional concepts, nature and concrete, gardens and high-tech spaces, the film explains how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions. KOCHUU, which translates as “in the jar,” refers to the Japanese tradition of constructing small, enclosed physical spaces, which create the impression of a separate universe. The film illustrates key components of traditional Japanese architecture, such as reducing the distinction between outdoors and indoors, disrupting the symmetrical, building with wooden posts and beams rather than with walls, modular construction techniques, and its symbiotic relationship with water…Read More »

A glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.Read More »

Plot
Inako Natsui is a quiet, modern girl working in a laboratory and living a closed and somewhat monotonous life in a small town. From time to time she goes to nearby to visit her lonely mother Wakayama who has been a widow for the past seventeen years. The girl’s relatives, particularly Aunt Sadako and Uncle Shuhei, the local mayor’s deputy, plan to introduce her to a suitable young man, but Inako has no real desire to get married. She is more interested in the hot mineral springs from where she takes her laboratory specimens. This all changes when she meets Mr Tamamiza, a young divorced man who’s been left with a little boy. Her relatives are decidedly against the match. The girl falls in love with the man without realizing that she will encounter a painful conflict between her family and providence, as unexpectedly as the spring which gushes out from the geological fold, driven to the surface by mysterious subterranean forces.Read More »

A recently released convict goes to a small village to lay low for a while. His contact is the local priest. Unfortunately, the priest suddenly dies and the villagers all think that the con is their new village priest.Read More »

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.Read More »

In the solitude of his apartment, Rousseau reads shorts excerpts from Racine’s Bérénice, images of separation; he films in a café, musicians in the street, a dance, domestic intimacy, in a self-portrait that reflects the contradiction between desires and time. “For a long time I have wanted to try and see if I could create a drama with the simplicity of action which the Ancients so favoured. There are those who believe that this very simplicity is a sign of a lack of inventiveness. They do not consider that, on the contrary, all invention is to create something out of nothing.” (Racine, preface to Bérénice, 1670.)Read More »