
Aeroplane Kei visit his girlfriend June in Japan for his leave from Shenzen to give her a surprise.Read More »

Aeroplane Kei visit his girlfriend June in Japan for his leave from Shenzen to give her a surprise.Read More »

Quote:
The Maelstrom makes extraordinary artful use of considerable cache of home movies shot in the Netherlands before and during World War II and dealing with the extended Peereboom family. Information is conveyed through subtitles and instead of voice-over, the soundtrack consists of period sound, usually from radio broadcasts, and brooding, disturbing jazz score by Tibor Szemzõ.Read More »

Tung Yen goes into jail for her boyfriend, Walkie Pi, after they kill a gang boss together. On the other hand, Walkie Pi escapes to Holland. When Tung Yen gets out, she hooks up with club owner, Playboy Man, and runs the girls at his club.Read More »

Having left New Hampshire over excessive demands by the locals, the cast and crew of “The Old Mill” moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can’t keep his pants zipped, the starlet won’t take her top off, and the locals aren’t quite as easily conned as they appear.Read More »

This deliriously warped S&M softcore film from cult pinku-eiga director Hisayasu Sato deals with a deranged doctor who lives in an abandoned hospital with his wheelchair-bound sister. The sister has a bizarre disease which keeps her eternally youthful and flawless in her brother’s eyes. Frustrated by normal women’s perceived imperfections, the madman kidnaps them and submits them to gruesome tortures under the guise of anti-aging experiments.Read More »

A young photographer has fallen in love with his girlfriend’s sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.Read More »

Synopsis:
After her mother commits suicide, a young woman travels to Italy in search of love, truth and a deeper connection with herself.Read More »

A docu-drama that follows Manoel de Oliveira’s life during the times of dictatorship in Portugal.
Quote:
73-year-old De Oliveira decides to make a personal movie that his audience will only know once heis dead. In 1982, the director takes the decision to make a movie about (and in) his (ex) house, in which he lived for over 40 years. The initial still shot is held for a long while with the presence oftrees in the garden of his house in Oporto. De Oliveira himself introduces the film and speaks all the credits out. The voices of a man and a woman guide us for most of the first part, in a sort of preliminary and formal tour around the totality of the house. They remain out of frame and the camera perspective is not necessarily theirs.Read More »