1991-2000

dEvolution of Homo Sovieticus.

At the center of the film is a man-monkey inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form.
During filming in the Crimea (not far from Gorbachev’s villa), the notorious August coup occurred in Moscow and President Gorbachev was arrested and isolated on his villa. The immediate proximity to the scene could not be without impact on the film – Kobrin processed it in his own grotesque form.Read More »

Captain Thomas Sankara was the leader of the Burkinabe Revolution. This film is a biographical profile of the revolutionary, the improvements he generated in his country and the new socio-political dimension he instituted in Burkina Faso.Read More »

Cinematography in allegory. Film is dedicated to the memory of Svyatoslav Valov, the director of documentary films and Kobrin’s colleague.

Quote:
In his films, Kobrin elaborates a special, metaphoric style that is “a fully achieved work of imaginative filmmaking, in which special effects, pixilation, and reverse or speed-up motion abound, a philosophical avant-garde film, entirely unexpected in terms of its country of origin”.Read More »

Film is dedicated to the ontological problems of adaptation of the human spirit in the mental world.
Quote:
In his films, Kobrin elaborates a special, metaphoric style that is “a fully achieved work of imaginative filmmaking, in which special effects, pixilation, and reverse or speed-up motion abound, a philosophical avant-garde film, entirely unexpected in terms of its country of origin”.Read More »

Quote:
The 3 Part of the Maiku Hama Triology is the best and probably darkest of all the films. In fact, this episode is more of a horror-like thriller reminiscent of a Takashi Miike film. “The Trap,” which is the final film of the trilogy was preceded by the more semi-comical episodes of “The Most Terrible Time In My Life,” and then followed by “Stairway To The Distant Past,” and finally concluding with this film, “The Trap.” In the previous episodes of the trilogy, Maiku Hama (Masatoshi Nagase) is not the aloof private detective he was originally portrayed as; but a much more intelligent and calm detective.Read More »

Quote:
How far will the artist go? Photojournalist Lanre Fehintola decides to experiment with heroin while working on a book about drug addicts. What starts out as an attempt to understand the plight of his subjects, ends up totally consuming and threatening his life. After five years of addiction, the documentary follows Lanre through a chaotic year as he struggles to complete his story, break his heroin addiction and find a publisher for his book.Read More »

A small-time crook digs himself deeper into trouble the harder he tries to get out in this comedy from Turkey. Altan (Cem Yilmaz) is a low-level criminal severely lacking in both luck and skill, and his wife (Ceyda Duvenci) has had just about enough of his life outside the law. In desperation, Altan strikes upon an idea for one big score — his brother (Mazhar Alanson) is the manager of a pharmaceutical warehouse, so Altan grabs his bother, nabs a large cache of drugs, and heads to the seashore where he can sell his ill-gotten wares. However, just as business starts to pick up for Altan, a gang of rival drug dealers decide they would also like a piece of the action. Her Sey Cok Guzel Olacak /Everything’s Gonna Be Great was a major box office success in Turkey, partly due to the presence of Mazhar Alanson as Altan’s brother, who is a major Turkish pop star.Read More »

Synopsis:
Onoff is a famous writer who hasn’t published any new books for quite some time and has become a recluse. When he is picked up by the police one stormy night, without any identification, out of breath and running madly, without clear memory of recent events, the Inspector is suspicious. Through interrogatory dialectic, the head of this lonely, isolated, broken-down police station tries to establish what has happened, by delving into the mind of his writer-hero, and clearing up a mysterious killing.Read More »

Tierra (Earth, Julio Medem, 1996) opens with a hypnotic journey through space, as the camera soars through the ethereal atmosphere, descending towards an agricultural area, then focusing in on a lone traveler who is having a motivational conversation with himself. A remote village has been infested with woodlice, imparting an earthy taste to the locally produced wine. An exterminator, a self-described “complex” man named Ángel (Carmelo Gómez), has been hired by the town mayor to fumigate the region. Ángel’s inner voice, the figurative angel of his subconscious who has died but continues to exist (and interject opinions) within his corporal self, believes that he has been sent down to earth for a divine mission.Read More »