Summary:
Wallace falls for Wendolene, a wool shop owner, while Gromit is framed for the sheep rustling.
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When Wallace and Gromit go over to wash windows, Wallace falls in love with a wool store owner named Wendolene. Meanwhile, Gromit is framed for killing sheep and is put in jail. So with help from the sheep and Wendolene, Wallace must get him out of prison. Written by Mike-2000Read More »
Quote:
Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter Hubert Robert, who spent a long time in Italy, and whose preference was for creating ancient ruined landscapes and naturalistic portrayals of times past. He was successful with the wealthy, who bought his works from him. The camera pans across the paintings while Sokurov speaks of a happy era, when the artist was at one with the spirit of the times, and agreed with the taste of his clients. Just how far removed from us this is, is shown by pictures of a “Nô” performance which are inter-cut on the screen. No words are necessary to describe what everybody knows todayRead More »
While on his daily route as the driver of the local school bus, Michio Nishiumi sees his own infant son kidnapped from the vehicle by a masked assailant with a gun. A ransom is demanded, but the boy dies. Michio wants and needs his revenge.Read More »
THE GEORGETOWN LOOP
(Ken Jacobs, 1996, 11m, widescreen 35mm film, black and white, silent)
Originally photographed in 1903, US Library of Congress collection. New arrangement in 1996 by Ken Jacobs, assisted by Florence Jacobs. 35mm optical rephotography by Sam Bush, Western Cine, Denver.
I’ve been raiding the Paper Print Collection of the Library Of Congress in Washington, DC, since the late 1960s with TOM, TOM, THE PIPER’S SON. It’s a preserve of early cinema. Until 1912, in order to copyright film, one deposited with the library a positive from the negative printed on paper, unprojectable, but – unlike nitrate prints – capable of weathering the years without Crumbling into chemical volatility. And there the stacks rested, safely out of mind, hundreds and hundreds of silent rolls most less than 30 meters, many Edisons, American Mutoscope And Biograph, Gaumont, Lubin, Vitagraph ; cine-snatches of life as it was lived, vaudevillians, proto-dramas, and too many state parades.Read More »
Quote:
The duty of taking the tax return forms of the villagers to the big city is assigned to a naive young guy. The villagers trust him, and hand their tax return forms to him. Taking the forms along with the lunchbox full of beans his mother cooked for him, he’s underway. But he meets some weird people on the way, who also run into some other weird people, and things start to follow an unexpected path for everyone involved, bringing hillarious moments along.Read More »
From RaiPlay:
“L’uomo dal Fiore in Bocca”, a single act by Luigi Pirandello staged for the first time in 1922, is one of the most intense plays by the great Nobel prize-winning playwright. It’s a dialogue at a coffee station between a man with a tumor and a dull and indifferent customer. The director of this difficult television adaptation of 1993 of the play by Pirandello is Marco Bellocchio, while the protagonist is Michele Placido, flanked by Antonino Bellomo.Read More »
In Painter, McCarthy, decked out in a blonde wig, a bulbous drinker’s nose, and giant latex hands, staggers around a small, wood-paneled studio with an immense paint brush, yammering things like, “I can’t do it, I can’t do it,” and, “DeKooning, DeKooning, DeKooning.” He punctures the sides of gigantesque tubes of paint (one is labeled “Shit”), mixes the paint, then slashes and hacks big crude Expressionist swaths onto canvases with crazy electric blue and orange grounds. During the course of the video, he meanders between adjoining rooms ranting against his dealer, sitting in on an absurd conversation with pretentious, bulbous-nosed scholars, has a sycophantic collector sniff his asshole, and chops off his own fingers with a cleaver. Painter is a hilarious satire of inflated Abstract Expressionists and the art world in general, but it is not only that. When McCarthy obsessively mixes his gallons of shit-brown paint, loads up his brush, and, grunting and waving, goes to his canvas, he is pointing towards something important: that paint is the same as shit and dirt—just unruly filth that flows and stains. That finally, the hopeless drive to make art is drunken, humiliated, violent, sexual and infantile, perhaps tragic as well. (Brooklyn Rail)Read More »
Plot Synopsis:
Dôlè offers a Gabonese perspective on the global crisis facing today’s youth. This film reveals that, whether in Libreville or in our own inner cities and suburbs the underlying causes of youthful disaffection can be remarkably similar.
Dôlè provides one of the most affectionate and affecting portraits of African youth poised precariously on the cusp of modernity. It has already been widely compared to François Truffaut’s iconic coming of age film – a kind of ‘Le quatre cents coups’ in Gabon.Read More »
Based on actual events. Brandon Teena is the popular new guy in a tiny Nebraska town. He hangs out with the guys, drinking, cussing, and bumper surfing, and he charms the young women, who’ve never met a more sensitive and considerate young man. Life is good for Brandon, now that he’s one of the guys and dating hometown beauty Lana. However, he’s forgotten to mention one important detail. It’s not that he’s wanted in another town for GTA and other assorted crimes, but that Brandon Teena was actually born a woman named Teena Brandon. When his best friends make this discovery, Brandon’s life is ripped apart by betrayal, humiliation, rape, and murder.Read More »