1991-2000

From IMDB:
Nounours is the nickname of a “cousin” an informer with a special arrangement with the police: he gets 10% of the drugs seized thanks to his help. When his personal contact, inspector Maurin, commits suicide, inspector Gérard Delvaux takes over. Meanwhile, judge Lambert is uncovering the illegal practices of the policemen. Her persistent investigations, which had cornered Maurin, are leading to Gérard, and also to Nounours as the source of heroin that led to recent cases of deadly overdoses. Nounours promises Gérard increasingly bigger catches which he is intent on realising before he is forced to reveal who Nounours is to judge Lambert. Written by Eduardo CasaisRead More »

Quote:
Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he’s facing problems with his traditional Greek parents, who have no clue about his sexual activities.Read More »

Quote:
John is an English photojournalist who has spent over a decade in Hong Kong; his friend Jim often crashes in his cramped apartment. John’s unrequited love is Vivian whom he aches for but has not the nerve to possess. Concurrent with England’s transfer of Hong Kong back to the Chinese, John discovers that he has a rare form of leukemia and has only months to live. So John, Jim, and the disfigured proto-hippy Jean grab a digital video camera and prowl the streets, seeking to document the “real” Hong Kong one last time.Read More »

Quote:
Dolce opens to a clinical biographical overview of writer and poet Toshio Shimao Dolce(1917-1986) as the narrator (Aleksandr Sokurov) thumbs through a family photo album, describing Shimao’s privileged life as the heir of an affluent merchant family, before enlisting in the Japanese military as a kamikaze pilot during the Pacific War. Stationed on a remote southern island while awaiting orders to be deployed for his suicide mission, Shimao falls in love with a local young woman from a prominent samurai family named Miho and, in a fortuitous twist of fate, is ordered to abandon his campaign as Japan moves closer towards conceding defeat. Toshio and Miho adjust to postwar life by settling in Kobe and starting a family-run business of publishing Shimao’s literary work.Read More »

A series of interviews with living filmmakers about German film history.`Night of the filmmakers’ (1994, 52 mins., English commentary) directed by Edgar Reitz, was produced for BFI TV by Edgar Reitz Filmproduktions in association with ZDF, Arte and Premiere. Brings together an imaginary assembly of German filmmakers to explore German cinema of all periods. Contributors include Volker Schlöndorff, Helma Sanders-Brahms, Margarethe von Trotta, Frank Beyer, Wolfgang Kohlhasse, Peter Schamoni, Leni Reifenstahl, Wim Wenders and Werner Herzog.

p.s. part of the serie The Century Of Cinema for the BFIRead More »

Quote:
Chow Yun Fat’s last film in the pre-Handover Hong Kong film industry before he went on to try his luck in Hollywood, Peace Hotel was directed by regular Johnnie To collaborator Wai Ka Fai, produced by John Woo, and has the feel of a swan song. Indeed Chow Yun Fat’s next Hong Kong Cantonese-speaking film would come almost 20 years later. So it is quite suitable that his character in the film is known only as “the Killer”, echoing arguably the apex of his Hong Kong career and his legendary collaboration with John Woo. The Killer, as a gorgeous black-and-white prologue tells us, once wiped out an entire gang of horse thieves responsible for the death of his wife (Wu Chien Lien). His killing spree led him to an abandoned hotel, where after an experiencing an epiphany he spared the life of the last gang member. 10 years later, the hotel is not abandoned anymore : it has become a safe haven for fugitives and outlaws, run by the Killer himself. Read More »

Looks like an awesome Bitomsky film, deals with images on film shot between 1910-1920.Read More »

Eighteen-year-old Rémi goes to a casting where the director appears to be drawn to his acting as much as his physique. Confused by his first experience, Rémi wanders around Paris in search of himself.

Quote:
Open Bodies is an unusually sensitive portrait of late adolescence with its half-formed desires and the tug of war between sexual curiosity and reticence. – Stephen Holden in The New York Times.Read More »

Quote:
Simon secretly loves Camille. Camille, due to a misunderstanding, falls for Marc Duveyrier. Marc, a handsome realtor, who’s also Simon’s boss, is trying to sell an apartment to Odile Lalande, Camille’s sister. Odile really wants this apartment, despite the silent disapproval of her husband, Claude. Claude, somewhat wan in character, finds it hard to stomach the reappearance, after many years, of Nicolas. Nicolas, an old friend of Odile’s becomes the confidant of Simon… The dialogue is in part made up of extracts of French hit songs, sung in situation by the actors.Read More »