1991-2000

Min-Ah discovers a shared diary and is soon fascinated to learn that two people she thought to be very close friends have in fact begun a forbidden romance at her school. She finds herself unable to tear her eyes away from the literally page-turning high drama of her classmates’ lives, and the allure of the secret diary begins to take over. When one of the diary’s writers is found dead from an apparent suicide, rumors spread and Min-Ah begins to feel a strange presence. The once-tranquil school is transformed into a place of morbid terror, as if the words written in the journal, “memento mori” (remember the dead), have come to life.Read More »

This satire of post re-unification Germany follows a couple investigating the disappearance of a German social worker and the Polish family in his care. Their search takes them to the town of Rassau, where the remaining hostage takers are living undercover as a priest and a furniture wholesaler.Read More »

”As a break from most other documentaries as of late, the camp-glam filmmaking team of Randy Barbato and Fenton Bailey (Party Monster: The Michæl Alig Story) bring you The Eyes of Tammy Faye, focusing on the overly-made up visage of fallen televangelist Miss Tammy Faye Baker, instead of overly-drugged up ravers or overly-f***ed up porn stars. The film takes a peek behind the foundation to show the real life and times of Tammy Faye, best-known as the now 80’s excess ex-wife of preacher Jim Bakker, the other woman to Jessica Hahn-o-rama, and the single-driving force behind the mascara and fake-eyelashes industries. As a whole, The Eyes of Tammy Faye funnily and lively serves to show that sometimes the best movie characters are real ones and sometimes the best Christians are ones who look like crack-whores.Read More »

The survivors of the old Fassbinder crew gather one last time to shoot a remake of Pasolini’s Salò. Meanwhile, the producer sends an agent to Hollywood to meet Udo Kier, Kitten Natividad and others on a mission to raise money and get ex-Visconti superstar Helmut Berger to appear in the film.Read More »

After a hurricane wreaks havoc on Sister Island, Mississippi, rescue parties find a young girl on the shore. The girl is alive and soon opens her eyes, but she is non responsive. Dorrie takes her to her mother’s home and goes back to the island to look for family. Although there were only 30 people on the island, none of the survivors claim to know her. Weeks go by and while Camille begins to show signs of conscience she remains mute. Dorrie redoubles her efforts to find her family. She soon finds that she will battle the state, people she trusted and those who lived on Sister Island. It will be a long twisting road filled with heartbreak for both Camille and Dorrie.Read More »

Gothic Video Art Project – Roman Emperor Hadrian’s favorite Antinous is sacrificed to start a cult; the Greek Goddesses Diane and Hebe shoot arrows at the Sun God; and Shambhala mystics. From Propaganda Videozine III, Fred Berger & co. @ Propaganda Magazine, 1994. Starring John Koviak.Read More »

New sci-fi experimentation quite comical about a power failure during the launch of a Soviet rocket.Read More »

Pachamama is another fine example of Peter Nestler’s extraordinary documentaries. He takes us on an expedition to Ecuador, to the heart of an ancient Indian culture. Although heavily damaged by the Spanish conquerors, many of the old treasures and, more remarkably, many of the old traditions and customs have survived and are still in practice today. It’s a film of quiet beauty and sadness, but of a sadness that is friendly and not bitter; a film about the cultural wealth of a fascinating country. (Ted Roth, -viennale.at)Read More »

Quote:
Rapture is an installation of two synchronized black-and-white video sequences that are projected on opposite walls; large in scale, they evoke cinema screens. Working with hours of footage and a team of editors, the artist constructed two parallel narratives: on one side of the room, men populate an architectural environment; in the other sequence, women move within a natural one. The piece begins with images of a stone fortress and a hostile desert, respectively. The fortress dissolves into a shot of over one hundred men—uniformly dressed in plain white shirts and black pants—walking quickly through the cobblestone streets of an old city and entering the gates of the fortress. Simultaneously, the desert scene dissolves into a shot of an apparently equal number of women, wearing flowing, full-length veils, or chadors, emerging from different points in the barren landscape.Read More »