Story:
Kai having murdered 3 people in Hong Kong escapes to South Africa, 10 years later he is still working at the same Chinese where the boss know of his crime and is giving him a place to hide. One day Kai goes with his boss to go buy pigs from an African tribe…Read More »
kratkyfilm.com: The fortress in the setting of the landscape gives an impression of a den or a detention colony of Kafka’s fiction. The watch-towers, barbed-wire-fencing, severe guarding, all that in all-prevailin feeling of strangeness and mystery provoke fear. Immediately, the question will arise, what is it that is so strictly guarded. We witness the absurdity as expressed by Franz Kafka, and the nonsensicality of the bureaucratic and the barracklike spiritlessness as ridiculed by Jaroslav Hasek in his soldier Svejk. The story takes place in the second half of the eighties. The regime of power is tired, but any changes are out of sight. Some people are trying to find their asylum in their privacy, some defect. Who is not willing to get adapted, lives at the outskirts of the society. Read More »
Quote:
David Wojnarowicz is recognized as one of the most potent voices of his generation, and his singular artistic achievements place him firmly within a long-standing American tradition of the artist as visionary, rebel and public figure. Art historian and critic John Carlin likens Wojnarowicz to the great American 19th century poet Walt Whitman, the preeminent celebrator of individual freedom. Carlin likens Whitman’s verbal poetry, which was inspired by the rhythms of New York slang and the rhetoric of American journalism, to Wojnarowicz’s visual poetry, which emerged from social history, popular culture, and his own dreams and visions. …In his rebellious struggle against conformity, materialism and mechanization, one can see the formative influence of the 1950s Beat writers on Wojnarowicz’s art. Just as the Beats found America in the 1950s to be a dehumanized prison of exclusionary mainstream values, Wojnarowicz found America in the 1980s to be in a similar ethical state of emergency. His allegiance to the Beats, especially Jack Kerouac and William Burroughs also can be seen in his profound concern with spiritual matters.Read More »
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A clumsy, easy-going but tough restaurant chef witnesses a murder of a cop. This leads him to a world of trouble, as the killer seeks to silence him. Luckily, the vengeful partner of the dead cop is there to help him.Read More »
Tony Rayns, VIFF wrote:
No postman rings twice, but Manop’s gutsy reinvention of the hard-boiled film noir has deep roots in American thrillers of the late 1940s. It comes complete with a criminal ‘hero’, a trashy, ruthless femme fatale and a dog which is forever scratching around where it shouldn’t – not to mention dazzling chiaroscuro compositions and a camera as mobile as the wife’s morals. Salak (Sorasak Wongthai, a perfect cypher of bruised masculinity) is an expert safe-cracker on the run from the police who is offered work as a handyman by garage-owner Boonpreng, a serial husband apparently with very poor taste in wives. The current wife Chanang (Aungkana Timdee, as fatale as they come) learns Salak’s secret and blackmails him into helping her rob Boonpreng’s safe… A seasoned social critic, Manop Udomdej expertly uses generic conventions to deliver a devastating account of crime in a time of materialism and bad faith.Read More »
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Marisa Paredes is Leocadia (“Leo”) Macias, a woman writing “pink” romance novels under the alias of Amanda Gris that are very popular all across Spain. Unlike her romantic novels, her own love life is troubled. Leo has a less than happy relationship with her husband Paco, a military officer stationed in Brussels then later in Bosnia, who is distant both physically and emotionally.Read More »
As he investigates the case of a mysterious eyeless, hermaphroditic dead body Thomas Dagget, a former priest who has lost his faith and is now working as a detective, is thrust into the midst of an earthly war between angels. A fallen angel Gabriel is trying to create a new Heaven and seeks the soul of a Korean War colonel accused of human sacrifice. The colonel’s soul has been transplanted into the body of a young Indian girl for protection and Thomas must fight to protect her as Gabriel comes after her.Read More »
Animals attacks, says the TV news. But two ex-security agents know the real cause – maybe the real culprits. Shahrokh and Argenta are former employees of a company they knew to be conducting bizarre medical experiments. What has resulted are not animals attacks, but attacks by humans turned into vicious, decomposing, cannibalistic zombies. Their efforts to stem the violence in vain, hunted by the authorities, Shahrokh and Argenta escape the city just as it is engulfed in chaos. Their only hope lies in finding and organizing the few remaining survivors. Read More »
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The simultaneously random and interconnected nature of modern existence comes into harrowing focus in the despairing final installment of Michael Haneke’s trilogy. Seventy-one intricate, puzzlelike scenes survey the routines of a handful of seemingly unrelated people—including an undocumented Romanian boy living on the streets of Vienna, a couple who are desperate to adopt a child, and a college student on the edge—whose stories collide in a devastating encounter at a bank. The omnipresent drone of television news broadcasts in 71 Fragments of a Chronology of Chance underscores Haneke’s vision of a numb, dehumanizing world in which emotional estrangement can be punctured only by the shock of sudden violence.Read More »