1981-1990

Chicago, 1963. As head of the police department’s Major Crime Unit, Lieutenant Michael Torello must deal with the city’s most dangerous criminals. And possibly the most dangerous of all is Ray Luca, a young ambitious street hood who’s out to gain wealth and power by whatever means – including theft, threats, extortion and murder. As Luca begins his ruthless climb up the ladder of organized crime, leaving a growing number of victims in his wake, Torello becomes more and more determined to bring him down.Read More »

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Brass-balled, Bronx-born auteur Abel Ferrara is one of those two-fisted screen bards that always follows through on each sucker punch, his heart beating with Sam Fuller’s blood. His scorching morality plays and tainted-psyche humanizations are raw nerves exposed and chewed through, like a naked tornado called Hyde to Scorsese’s more calculated risk-taker Jekyll. However, what makes an Abel Ferrara film for me isn’t plot or casts of meaty, dilemma-torn characters. It’s in the gritty city itself, a filmmaking toybox for tones, textures, sounds, music and aesthetic. When Ferrara looks at New York City, he knows its tourist-trap beauty is bullshit and the lurid truth is in the blackened gum on the bottom of the postcard rack. He’s the director who would probably kick my pasty ass all the way to Chinatown if he heard this flowery praise.Read More »

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Lawrencia Bembenek was a beautiful bride, a 22-year-old blonde who had worked as both a policewoman and a Playboy bunny, when she was arrested in Milwaukee for the murder of her husband’s ex-wife. Though the evidence was circumstantial and none of it implicated Miss Bembenek directly or exclusively, she was sentenced to life in prison. Her husband, who had expressed resentment over having to support his ex-wife, sought a divorce soon after his wife’s conviction. ”Dear Lawrencia,” he wrote to her. ”Goodbye. Good luck – Fred.”Read More »

This short was made for Swedish television and was actually aired in 1986, unlike imdb claims.

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“This is a surprising and lovely film, and thoroughly engrossing, given its brief length. Shot and framed with exquisite care, it validates a favorite past time and the value of looking at old photographs of family members to gain insight into one’s self.Read More »

Love You till Tuesday was a promotional film designed to showcase the talents of David Bowie, made in 1969. The film was the latest attempt by his manager, Kenneth Pitt, to bring Bowie to a wider audience. Pitt had undertaken the film after a suggestion by Gunther Schnedier, producer of German TV show ‘4-3-2-1 Musik Für Junge Leute’ for the ZDF network.Read More »

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Made for Bavarian TV in 1983, this documentary traces the life and films of the most popular female star of the late Weimar cinema, Lilian Harvey. From the very beginnings in some films by Richard Eichberg to her eminent stardom together with Willy Fritsch in classics like “Der Kongress tanzt”, her subsequent time in Hollywood and her return to Germany because of her love for director Paul Martin, to her escape from the nazis and her later life, the film gives a fine portrait of the actress and the big changes in the German film industry of the 20s and 30s.Read More »

Probably the best interview with a film director ever.
“This is one of the finest, if not the finest, documentary on Welles’ career. What makes this stand out from the rest is the huge amount of interview footage that shows Welles to be good-natured, open, and incredibly funny. He has lots of great stories about his career (one which involves him attending a party for L.B. Mayer with a rabbit in his pocket – absolutely hilarious) and each one is a joy.Read More »

Review:
Arturo’s (Arturo Puig) world is peopled by the living and the dead, as well as other figures who can only derive from his overheated imagination. Meanwhile, he is attempting to revive his flagging marriage to Graciela (Graciela Borges) while coping with the demands of his mistress who persistently applies weird colored dyes to her pubic hair. Throughout the movie, no matter what the scene, the action is interrupted by the mugging of a popcorn salesman (Alejandro Urdapilleta) who appears for no discernible reason. This movie was banned by Argentine authorities for its (relatively brief) nudity and depiction of sexual encounters. – Clarke Fountain, All Movie GuideRead More »

synopsis
In this murder mystery, a homicidal maniac goes on a killing spree beginning with his wife. He then kills six of her friends and is preparing to murder a seventh when the intended victim dies naturally. As a substitute, he murders his favorite hooker, leading the police right to him.Read More »