1981-1990

Synopsis:
Three young women at a hair salon all like the son of the clothing store proprietors across the mall. Although Robby is selfish and shallow, he’s appealing to Lili, the salon’s manager, who’s trendy and also the salon-owner’s moll; to Mado, who’s innocent and sweet; and to Pascale, who’s intelligent but passive and downcast. Robby’s dad tells him to grow up and see beyond the mercurial Lili, so he proposes suddenly to Mado. She’s delighted, but the day before the wedding, Lili returns to give Robby another look. In the background, a Yank who was a soldier in France in World War II returns to Paris and tries to recapture the love of his wartime sweetheart, Robby’s mom.
Read More »

Quote:
A dashing former matador named Diego Montes (Nacho Martínez), prematurely retired after a career-ending injury, rehearses the principal tenets of the art of the kill at a converted classroom on his estate to a group of aspiring bullfighters, including an unlikely, hypersensitive student named Angel Giménez (Antonio Banderas). The training lecture then cuts to the image of a beautiful, enigmatic woman sitting on a park bench, María (Assumpta Serna) as she initiates contact with an anonymous man innocuously passing by, follows him back to an apartment, and, at the height of physical intimacy, stabs him with a long ornamental pin behind the nape of the neck – in the region between the shoulder blades defined in bullfighting as the cleft of the clods. Read More »

Acquarello wrote:
The Beekeeper opens to a static shot of an extended dinner table festively covered with a white tablecloth and ornamented with rose petals that is sitting empty at the center of the courtyard in the rain, as the sound of Spyros’ (Marcello Mastroianni) affectionate voice is heard recounting to his young daughter the natural selection process of bees that culminates in the majestic queen’s dance. The guests have retreated indoors for what is revealed to be the wedding reception of Spyros’ daughter – now a grown woman – in the family home. From the onset, the middle-aged schoolteacher’s profound disconnection is immediately palpable as he shares a prolonged, uncomfortable silence with his wife (Jenny Roussea) while picking up shards of broken glass from an overturned tray of wine glasses. Dispirited by his inevitable separation from his beloved daughter, Spyros separates from his wife and embarks on his forefathers’ traditional vocation of apiculture. Traveling southward with his bees on an instinctual springtime migration, Spyros encounters a young hitchhiker (Nadia Mourouzi) who, abandoned on a rural truck stop, insinuates herself on the resigned and acquiescent Spyros through intermittent points on his indeterminate journey. Estranged from an unfamiliar modern world where his generation has become a historically incidental relic, Spyros attempts to reconnect with humanity through the promiscuous and rootless young woman and, in the process, retreats further into the solitude of his dying avocation.Read More »

Russian revolutionary Vladimir Lenin spent four years in Paris (1909–1912), and this historical docudrama explores those years with a certain amount of humor. Lenin is shown visiting with friends, the meetings with his later mistress Inessa Armand (in the movie she is in love with a young communist, Trofimoff), while several of his philosophical views and economic and political theories are mouthed by a former colleague who narrates the film and brings the material into the present.Read More »

Quote:
In this hysterical satire of Reagan-era values, written and directed by Albert Brooks, a successful Los Angeles advertising executive (Brooks) and his wife (Julie Hagerty) decide to quit their jobs, buy a Winnebago, and follow their Easy Rider fantasies of freedom and the open road. When a stop in Las Vegas nearly derails their plans, they’re forced to come to terms with their own limitations and those of the American dream. Brooks’s barbed wit and confident direction drive Lost in America, an iconic example of his restless comedies about insecure characters searching for satisfaction in the modern world that established his unique comic voice and transformed the art of observational humor.Read More »

Synopsis:

A homicidal maniac is on the loose, killing motorists at random in his “death car” – after losing his brother to the twisted assassin “Skull”, Rick Benten becomes a vigilante, and takes it upon himself to hunt down the reckless drivers that fill the streets at night. Being a master mechanic, Rick spends his time converting his pickup truck into an armed and dangerous vehicle – with speed to take on the fastest car, and strength to make sure in a one-on-one situation, he will be the only survivor. The cops soon find out about the vigilante known only as the “Gladiator” and do all they can to catch him before his citizen’s arrests go one step too far – but will they find the Gladiator before the Gladiator finds Skull? When the two finally meet, it’s a duel to the death and maybe an end to Rick’s career as the vigilante.Read More »

Severin Films wrote:
“AUSTERE AND REMARKABLE…A battering-ram cavalcade of race riots, genuine assassination footage and interviews with killers that strikes a powerful chord.”
– The Guardian

“A RIVETING FILM…Its traumatic imagery forces uncomfortable but critical questions about American policy at home and abroad.”
– Spectacular Optical

The First Ever U.S. Release Of Perhaps The Most Controversial Documentary In History

“All of the film you are about to see is real,” it begins. “Nothing has been staged.”
Read More »

Quote:
Mitl Valdez’s film Los confines (1987) is an adaptation of several works of fiction by the Mexican author Juan Rulfo. The director chose to adapt two short stories (“Talpa” and “¡Diles que no me maten!”) and an episode from the author’s first novel, Pedro Páramo. Valdez’s intent was to “capturar el sentido” of the Jaliscan author or, in other words, to remain faithful to certain elements of his writing while adjusting them to the filmic medium.Read More »

Quote:
The life and work of the great Russian composer Dmitriy Shostakovich is presented in this documentary through rare images and audios from many archives, at one time censored by the Soviet government. A brief take on his life, from his transition as an early prodigy to a first rate artist, his celebrated compositions and the final years with a declining health.Read More »