IMDB says:
Raffael is the rich owner of a video store. His girlfriend, the attractive Chip works there. They make some extra by making illegal copies of pornographic and horror movies. It is Rambo’s duty to deliver the video cassettes to the customers. Raffael doesn’t know Chip and Rambo are lovers.Read More »
In 1880, a colonel and his French wife live in a fort in the Patagonian desert. The colonel takes an Amerindian as captive, with the intent to civilize her. A “southern” movie (in opposition to “western”, as it was shot in the deep Argentinean south
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Dos caras de una misma moneda. Uno viene de lo salvaje hacia la civilización; la otra, desde la civilización hacia la barbarie. Se realiza un cambio de identidad. El guerrero queda impresionado con la civilización romana, y siente que pertenece a aquella. La abuela de Borges quiere rescatar a la india, pero ella la rechaza. Se espanta, no puede creerlo; pero cuando su marido muere, ella se siente identificada. Cuando la india toma la sangre caliente del caballo que acababa de degollar, es cuando termina de demostrar que nunca dejará de ser india, más allá de su lugar de nacimiento.Read More »
Fictional documentary goes on the trail of sixties cultural renegade Peter Whitehead, underground filmmaker, writer, occultist and sometime falconer.Read More »
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Der Spiegel reflects the sad existence of a village couple, Necmetting and Zelihan, whose lives are regulated by nature and the all-powerful feudal lord. When the lord’s good-looking brother tries to seduce beautiful Zelihan, her husband has no choice but take up arms to restore his lost honor.Read More »
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Does the prolonged gestation period account for the bulging-valise feel of Alejandro Jodorowsky’s seething, gore-drenched carnivale? Not really — all of his pictures seem deliberately shaped to let the fantasies spill over once poured in, and this lushly scabrous murkfest, made after nearly a decade of inactivity, is true to the molten-lava of Jodorowsky’s imagination. As in his ’70s freakouts, the movie follows the trajectory of the subconscious, namely Fenix’s (as in “rising from the ashes,” and played at different ages by the filmmaker’s sons, Axel and Adan), first spotted perched nekkid atop a tree in the asylum. Cue flashback, and the parade of candy-colored melodrama surging out of the “Circo del Gringo,” traumas piling up on little Fenix’s innocence via his bloated, randy cowboy dad (Guy Stockwell) and his fervid-eyed mom (Blanca Guerra), who, when not dangling from a trapeze by her hair, presides over an order of fanatics worshipping an armless martyr. Read More »
Richard was coming back into town and we set up a gig for him at the local co-op. He was bringing along his new, tough, beautiful, hard-won movie called The Last Days of Contrition. It showed just about everywhere that tough movies were being shown. But for this night we brought dad’s pull-down screen and a couple of boxes of beer and the crowd spilled out into the hallway. We sat around the projector and marveled at how he’d managed to go into America and find it so emptied and cruel. There were how many military vehicles shuttling across the desert in shots he’d waited all day for, so by the time he finally turned the camera on, all that anger had become something else. He really had a knack for the silver light.Read More »
Synopsis: For this film adaptation of Peter Shaffer’s Broadway hit, director Milos Forman returned to the city of Prague that he’d left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese “urban legend” concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Read More »
From the Chicago Reader (Jonathan Rosenbaum) :
Shot in Johannesburg and Soweto by Oliver Schmitz, a white South African, this radical 1988 feature offers a grittier view of the anti-apartheid movement than Cry Freedom or A World Apart, both from the same period. A petty thief (Thomas Mogotlane) winds up in jail, meets other blacks involved in protesting racism, and gradually becomes politically aware. Banned in South Africa upon release, the film conveys a volatile sense of both time and place–according to the South African censor, it had “the power to incite probable viewers to act violently.”Read More »
All Movie Guide says:
This film focuses on the trials and tribulations of Ira (Todd Solondz), who is an unsuccessful playwright trying to find himself in New York City. — Iotis ErlewineRead More »