1981-1990

  • Peter Bogdanovich – Texasville [Theatrical] (1990)

    1981-1990DramaPeter BogdanovichRomanceUSA

    From allmovie:
    Texasville is Peter Bogdanovich’s much-delayed sequel to The Last Picture Show. Adapted from Larry McMurtry’s novel and told as a series of episodes, Texasville follows the characters from The Last Picture Show as they reunite in a small Texas town nearly 30 years after the end of the last movie, and face a number of adult problems, as well as confronting lingering emotions and memories from adolescence. — Stephen Thomas ErlewineRead More »

  • Mira Nair – India Cabaret (1985)

    Documentary1981-1990IndiaMira NairTV

    From IMDb:
    In 1988, before SALAAM BOMBAY brought international fame, Mira Nair filmed four TV documentaries investigating diverse aspects of Indian society. INDIA CABARET was one of them, one which won the Indian Director a few international festival awards for best documentary.Read More »

  • Carl Schenkel – Kalt wie Eis AKA Strike Back (1981)

    1981-1990Carl SchenkelCultGermanyThriller

    Florian Widegger wrote:
    ‘Goodbye romance – welcome reality’ is the almost programmatic title of one of the songs that accompanies this remarkable film by Siggi Götz and Jess Franco’s former assistant, who died young. The 18-year-old Dave is imprisoned for stealing a motorbike, but fakes a suicide and, chased by law enforcement officers, makes his way through West Berlin, which was surrounded by a wall at the time and is the film’s secret main attraction. First he seeks out his girlfriend, a stripper in one of the city’s hippest clubs, then he settles unfinished business with his ex-client … Schenkel’s official directorial debut – enriched with great punk and new wave music made in West Germany – is a chilly and visually stunning document of the no-future generation. Rightly cult!Read More »

  • Jun Kurosawa – hi ka ri (1988)

    1981-1990ExperimentalJapanJun Kurosawa

    From DVD booklet:
    The works recorded here are made by Jun Kurosawa mainly in his years
    at university.
    The remarks on Jun Kurosawa’s works have been focusing on his
    impulse of destruction, which are expressed in degenerative keywords
    such as “death” and “thanatos”: whereas aesthetical images are
    also often mentioned. Is it because his distinct features help them to
    establish such images? The features can be described as “film scratch”
    and “harsh noise,” all of which can be found in his masterpieces such
    as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

  • David Greenwalt – Double Switch (1987)

    1981-1990AdventureDavid GreenwaltDramaUSA

    A teen, who is the exact double of a rock star, switches places with him so the rock star can spend some time with a “real family.” Each has problems trying to adapt, so they decide to switch back again and appreciate their own families.Read More »

  • Franz Peter Wirth – Tiefe Wasser (1983)

    1981-1990CrimeDramaFranz Peter WirthGermany

    A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.Read More »

  • Tim Burstall – Nightmare at Bitter Creek (1988)

    1981-1990ActionAustraliaTim Burstall

    A group of women go on a horse-riding expedition to an isolated mountain region where they become prey to a gang of crazed white supremacists. Apparently an Ozploitation turkey (IMDb users have no kind words for it) directed by the once-eminent Tim Burstall and starring Lindsay Wagner, Joanna Cassidy and Tom Skerritt.Read More »

  • Joe D’Amato – High Finance Woman (1990)

    1981-1990DramaEroticaItalyJoe D'Amato

    An unscrupulous female stockbroker who uses her feminine wiles to get valuable information lands in hot water when she has an affair with a father and his son.Read More »

  • Carl Schenkel – Bay Coven AKA Eye of the Demon (1987)

    1981-1990CanadaCarl SchenkelHorrorThriller

    This slow-moving occult thriller has Pamela Sue Martin and hubbie Tim Matheson menaced by a coven of witches when they move to an island off the coast of Massachusetts. Director Carl Schenkel — who went on to make the interesting Knight Moves — does the best he can with a tedious script and a lot of miscasting, but it doesn’t make the movie any more interesting. It looks like a who’s who of ’80s sitcoms, with Woody Harrelson, Jeff Conaway, and Inga Swenson along for the evil doings, but some viewers will be rolling on the floor when they see Leave It to Beaver’s Barbara Billingsley as a 300-year-old witch. The highlight of the film is an exploding church, which may just be loud enough to wake you up so you can rewind the tape. “
    by Robert FirschingRead More »

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