1981-1990

Synopsis:
John Huston’s last film is a labor of love at several levels: an adaptation of perhaps one of the greatest pieces of English-language literature by one of Huston’s favorite authors, James Joyce; a love letter to the land of his ancestors and the country where his children grew up; and the chance to work with his screenwriter son Tony and his actress daughter Anjelica. The film is delicate and unhurried, detailing an early January dinner at the house of two spinster musician sisters and their niece in turn-of-the-century Ireland, attended by friends and family.Read More »

Marcel, recently released from prison, attempts to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he’s been away on a long trip abroad) while being pursued by two corrupt cops (one of whom bears a longstanding grudge against him) for drug money he’s alleged to possess…Read More »

A personal essay on the play of children and grown-ups all over the world. The director has shot the film in different countries and cultures: Bali, Brazil, China, Denmark, UK, Haiti, Spain and the USA.Read More »

Quote:
Hank and Frannie don’t seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colours. Will true love prevail over a seemingly glamorous passion?Read More »

Suzume moved in Tokyo where she will live in aunt’s house, basically a geisha house. She have no interest in any social activity, nor any friendship with classmates. She’s not into geisha life style too. When school is up to celebrate it’s 100 year anniversary class have to prepare something for culture fest and, after chain of misfortune events, she decides to made it on stage with old dance, somewhat of her mothers legacy.Read More »

A young heroic cop in the jungle of Thailand attempts to rescue a beautiful girl from being sacrificed to the “Worm Tribe” she belongs to. As a result, the cop is damned with seven “Blood Curses” which burst through his leg periodically. When the seventh bursts, he will die, but Betsy, the beauty he saved stops the curse with an antidote that lasts only one year, so on the advice of Wisely (Chow yun Fat) he heads back to Thailand to find a permanent cure. Action ensues as the cop and cohorts battle the evil sorcerer of the Worm Tribe, a hideous bloodthirsty baby like creature and “Old Ancestor,” a skeleton with glowing blue eyes that transforms into a monster that is a cross between Rodan and Alien. (from IMDB)Read More »

With its author’s trademark wit, social satire and outrageous paradox, Wilde’s play shows us the destructiveness of gossip and superficial judgement, and examines the ambiguous sexual morality and gender politics at the heart of the British ruling class. Lady Windermere has a happy marriage – or, at least, that’s what she believes – until one of London’s society gossips, the Duchess of Berwick, arrives with her daughter to voice her suspicions about an affair. Wilde’s exploration of adultery results in a sparkling, satirical critique of society, and of the hypocrisy that lurks behind the etiquette and perfect epigrams.Read More »

Quote:
On the night of a cat village’s Festival of the Stars, a kitten and his friend go on an celestial journey on a magical space locomotive. On that trip, they have various stops where they meet strange sights, even more unusual fellow passengers and learn some lessons of life on their trip to the terminus of the Galactic Railroad.Read More »

No information on this in english….

Une jeune fille doit interpréter le role d’Ophelie du “Hamlet” de Shakespeare dans le théâtre d’un metteur en scène américain quelque peu oublie. Quelque temps auparavant elle est sauvée in extremis lors de l’accident d’une centrale nucléaire. Mais Ophelie est malade. Robert son frère veut la soigner avec un drôle de champignon découvert par Marie au moment de l’accident. Pour Jean-Paul Civeyrac, étudiants de la Femis, “le vrai sujet du film est la possibilité compromise d’inventer une histoire, de faire un projet d’existence alors que le monde peut se détruire”.Read More »