1981-1990

From IMDB:
In ‘Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950’s New York jazz world. Dale gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. A Parisian man who is obsessed with Turner’s music befriends him and attempts to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near.Read More »

Quote:
The situation is ordinary enough: a woman (Nora Aunor) falls in love with a man (Dennis Roldan). To say that she “loves” him, however, is an oversimplication, because he is a retardate. What she feels is a mixture of pity, sympathy, maternal love, and -of course sexual love for him. On the other hand, though a mere child as far as his brain is concerned, he is physically grown-up, as portrayed in a clever drunken scene where he mimics raping the mistress of a neighbor. There’s no doubt about it: Mario O’Hara is a major director. In Bakit Bughaw ang Langit?, he tackles the same basic situation Lino Brocka deals with in Bona. In the comparison Brocka suffers. Where Bona fails, Bakit Bughaw ang Langit? succeeds.
– Isagani Cruz, Movie TimesRead More »

“Every generation needs Ibsen” says Bo Widerberg and presents his version of the classic drama “The Wild Duck” from 1884. As in a thriller we get to follow how the family happiness of the Ekdahls is driven towards a tragic disintegration.Read More »

A young aristocrat, Aleksei Fedyashev, is languishing in his family’s country estate, spending his days reading poetry and confessing his love… to a statue. Upon hearing that famous Count Cagliostro is touring Russia and has created quite a buzz in high society with his “magic”, he decides to ask the Count to bring the statue to life…Read More »

Director Fadil Hadzic convincingly presented the life of an official, his rise and fall and the inability to establish normal relations with his own children.

Plot:
One day in the life of former ambassador, Vlado Milkovic, and his family.
Ambassador’s younger son (Zeljko Königsknecht) is a car thief, and older son is a doctor (Vojislav Brajovic) whose salary mostly goes to support his wife (Nina Erak-Svrtan). And there is a daughter who thinks about her deceased mother, and her suicide…Read More »

Takashi Ito wrote:
I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again.Read More »

Takashi Ito wrote:
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.Read More »

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies…Read More »

Synopsis
Sequel to Walter (1982).

Walter (Ian McKellen) is a mentally disabled man who depends on his parents for his survival. So when his mother and father die, Walter’s future is thrown into question. With nowhere to go, Walter is put into a poorly run state mental institution. In these new, harsh surroundings, Walter befriends a schizophrenic woman named June (Sarah Miles). As their bond grows, the pair’s affection turns to romance — and soon they plot their escape from the hospital, hoping to begin a new life in London.Read More »