1981-1990

LESSON BY PIERRE BOULEZ (A) + SUR INCISES (concert) (2000)
Directed By Andy Sommer
With warmth, modesty and infectious enthusiasm, Boulez explains the hidden architecture of his most recent work, Sur Incises, to a non-specialized young audience. On a number of occasions, Pierre Boulez has shown that he can come up with the right words and gestures to throw a light on complex musical scores. Here he demonstrates his teaching talents in talking about his work as a composer: after conducting the nine soloists of the Ensemble Intercontemporain, who follow him with visible pleasure through the mysteries of a spectacular score, he offers a witty exposition of the musical movements that make up its construction.Read More »

An opera for television by Robert Ashley. Robert Ashley’s television opera “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, et al, in the American Midwest. One of the definitive text-sound compositions of the late 20th century.Read More »

Heavily pregnant Helene (Nathalie Baye) is on a train, on the run from her abusive boyfriend (Richard Bohringer), when she meets the also-pregnant Patricia. When a train-crash kills Patricia and her intended husband, Helene is mistaken for her and adopted by her new in-laws. Helene assumes this new identity, trying to secure a future for her baby, and finds a charmed life on a Bordeaux vineyard. However, the specter of the past threatens her newfound happiness.Read More »

Experience The Year 2000…And Hope To Hell You Can Escape!

In the near future, after an unspecified holocaust, survivors are herded into prison camps. There, they are hunted for sport by the leaders of the camp. Paul, one of the newest prisoners, is determined not to go down as quietly as the others.Read More »

From Strictly Film School:
A pensive, middle-aged filmmaker named Alexander (Giulio Brogi, but whose voice was dubbed in Greek by Theo Angelopoulos) on a shooting break from the filming of a semi-autobiographical feature that explores the plight of returning political refugees during the general amnesty of the 1970s, encounters a gaunt, yet ennobled old man selling lavender at a kafeneon (a village cafeteria and lounge). Captivated by the humble vendor who perhaps bears a resemblance to his own absent father, Alexander follows the old man into the mist. Does Alexander, the abandoned son, believe this man to be his father, or does he, the director, envision this frail elder to be the ideal embodiment of the aging partisan (a part that he has been unable to cast) for his film? Reality becomes obscured in the metaphor of the enveloping fog. Read More »

Stubborn detective Tom Mackey, assigned to a Los Angeles murder case involving a couple of serial killings, gets increasingly frustrated with the dead end leads he’s following and the lack of appreciation he gets from his chief, police captain Keller. Enter Dr. Sally Powers, a fresh, clean cut psychology graduate who possesses supernatural powers. In a loose partnership the twosome gradually succeed in unraveling the killer’s motive and working-pattern.Read More »

Shows the surveillance of a woman by overseers who have judged her to be mad. What is most provocative about this film is that it proposes multiple credible points of view even as the woman is being certified insane by the Censors. We voyage into the skull of a woman and peer out to a monumentally static cold waste with planetary slow motion. It is the bunker-eye view.

‘A Cold Draft is drawn from (a drawing of) the conditions produced by ‘liberal’ economics in the UK in the 1980’s. Truth is reckless, certainty a sham, but such is faith in repetition that line by line certainty is drawn. The account may be fictitious, a representation, but the events are the result of the imposition of private ownership.’ – Lis Rhodes 2008Read More »

Saturday evening, in the suburbs of Paris. Le Relais, a small café-restaurant has just opened. Martine is waiting for customers at the bar. The first to come are regulars: Jeannot, boastful, bitter, aggressive; Guy, joking, playful; Robert, strong, boor. These three have known each other for years, and meet at the Relais every Saturday to deceive their loneliness: Johnny’s wife left with their son; Robert’s one is talking about divorce; Guy is hosted by three old ladies. Everyone goes on about its problems, encouraged by the whisky flowing like water. Talks about horses, games, politics, sex. Happy racists, especially Jeannot. This little world is already well warmed when arrive David, a shy travelling salesman, and Christiane, another regular, familiar with the trio. Christiane and David sat at a table, and talk about their past, the routine of a wasted lives. David is soon drunk, an easy prey for Jeannot. It will be a long night…Read More »

A short film about a bike shop and sexual attraction Soderbergh made to attract investors for his first full length film Sex, Lies & Videotape.Read More »